Irina Sokolova

Cologne towards the end of the Second World War. The city is in ruins, everyone is afraid, many are dead. It is a time of great inhumanity. Cologne’s young Edelweiss Pirates refuse to submit to the pressure of the Nazi regime. They fight with the Hitler Youth and scrawl anti-war propaganda on walls. Karl is an Edelweiss Pirate; his younger brother, Peter, is in the Hitler Youth movement. The two young men have been alone ever since their mother’s death in a bombing raid; their father is serving at the front, and their older brother, Otto, has been killed in action. Otto’s financée, Cilly, is doing her best to survive the war with her children. Carl is trying to help her.

During the bloody war in Chechnya, a British couple and two Russian soldiers are taken hostage by Chechen rebels. Two of the hostages are then released to bring the money for the British woman who is forced to wait for the ransom.

In 1942 Bavaria, Eva is alone, when Adolf arrives with Josef, his wife Magda, and Martin to spend a couple of days without politics.

This bleak late soviet-era drama follows the career of Malyanov, a young medical school graduate who has been sent to work in Turkmenia. Here he runs into a hodge-podge of people of differing ethnicities, all of them victims of the government's earlier mania for relocating and eliminating whole ethnic groups and classes of people. These desperately unhappy people are unable to find any pleasure in this diverse companionship, but instead are antagonistic to it, and often resort to desperate measures in their doomed attempts to ease their pain.

Choreographic school, young talents are collected here. Behind eight years of study - three months remain before the final performance. And finally, “Giselle” is appointed, roles are distributed, girls are worried - they are afraid of the wording “professionally unsuitable”, but Yulya’s thoughts are different. She fell in love for the first time. And she has to choose between her beloved and the stage.

Closely based on Franz Kafka's book "Das Schloß", the movie shares the same action on a land surveyor who is called to a village to do a job that no one seems to have ordered. Once there, he takes up the struggle against bureaucracy emanating from the castle.

Veselchaki is a movie centered on a Moscow nightclub owned by Rosa; he performs as part of the drag revue in the club. The movie starts with five cross-dressing men sharing their stories with a reporter.

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

Russia 2017. The world could be on the verge of a great war. People are anxious that things could fall apart. Evolving around an unfinished building, a diverse group of outsiders struggle to find their place in this rapidly changing society, making up the mosaic of existence that is life itself…

This is a remarkably subtle film–a character study that focuses on Mitya’s attempts to cope with each new startling phase of discovery. At first he mourns for his dead wife, but then he discovers that he didn’t really know her.

Based on the play of the same name by Isidor Shtok. The author described this work as a prehistoric documentary drama, while audiences recognized it as a comedy. Isidor Shtok wrote Noah’s Ark as a continuation of his Divine Comedy. This production preserves a good-natured tone, which at times shifts into satire through numerous parallels with contemporary life.

Starks returned after the conclusion of, met with his youthful love Tanya, who has a daughter Nelia over the years. Starkova acquaintance with the girl made him a different look at the relationship with Tanya and "ex-boyfriend".

A tragic story of love and loneliness - this is the unknown life of the great Russian writer Ivan Bunin. The confused love story that involved Bunin, his wife Vera, the young poet Galina Plotnikova, opera singer Marga Kovtun and literary man Leonid Gurov. A work of great honesty and piercing psychology.

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

Old, rich Jew Mendel Krik falls in love with the beautiful Marusya. But their sons Levka and Bena don't share their dreams... Revolution has come.

The German anti-fascist Max in 1939 emigrated to the USSR. During the Great Patriotic War, he fought in the Soviet partisan detachment and died, performing a responsible mission. After many years, her companion in guerrilla warfare, Lyudmila, was able to realize their common dream — to climb to the top of Mount Rübezahl.

The professor's widow Vivi Cassel has three daughters: pretty Irma and Paula and unattractive, but smart, sharp-tongued Elsa, who is humiliated by the condescending attitude of her sisters and mother. She decides to prove that being a woman is much easier than being a person. After visiting a beauty salon, she makes not only her sisters' suitors fall in love with her, but also the mother's fiancé.

The story of three great actresses applying for one role in the play, each of whom once had an affair with the artistic director of the theater. In the enchanting atmosphere of the backstage, it is highlighted: what roles were played on the stage, and what in life, who is to blame for this and how to forgive? After all, life is the same theater, only without rehearsals and repetitions. But the sworn diva girlfriends have yet to face the trials of the new reality. Legends of the theater, artists of a wonderful, but passing century, will meet contemporary art “not for everyone” and will try to figure out what to do for all of us, the rest. Who will win: loyalty to the old theater or the modern "version of the theater" - formalism from a young shocking amateur director, on whose side his father is an official.

TV version of the acclaimed stage production of Viña Delmar's script for the film Make Way for Tomorrow.

A Soviet children's television film based on an Italian fairy tale, a fairy-tale play from the series of televised productions of folk tales from around the world.

USSR, 1941. She is a famous actress, he is a well known journalist. But their meeting point is already set to GULAG.

They are charming. They are lucky. They're devilishly resourceful. They are real professionals. This couple skillfully changes their appearance and styles, enters the image with great artistry and leaves no traces behind.