Claude Mathieu

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough and they fear being discovered at any moment. But while her parents sink further into despair, Tauba’s fighting spirit shines through. She finds joy in every little thing, from a piano drawn on the floor, to the views of Paris through an open window. Despite extreme circumstances, she will keep hope until the liberation of Paris, and take back control of her life.

Paul is preparing to leave Tajikistan, while thinking back on his adolescent years. His childhood, his mother's madness, the parties, the trip to the USSR where he lost his virginity, the friend who betrayed him and the love of his life.

As he is about to separate from his partner, with whom he lives in Eastern France, 49-year-old Léo learns of the death of his biological father whom he never knew. Before traveling to Italy to deal with the inheritance, he spends a few days in Paris to take stock of his life. Between conversations with his activist daughter and encounters with ghosts from his past, he begins to question his very existence, and, above all, his relationships with women.

The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.

Paris, sum­mer 2020. Actors from “la Comédie-Française”, France’s most pres­ti­gious the­ater, rehearse Christophe Hon­oré’s new play, an adap­ta­tion of Mar­cel Proust’s “The Guer­mantes Way”. When the show is sud­den­ly can­celed, the dra­ma group decides to go ahead with it any­way, in the name of art and for the joy of act­ing together.

Arnolphe plans to marry Agnès, his ward, a naive and submissive young girl, whom he keeps recluse in a convent. His plans are threatened when Horace confesses his feelings for Agnès.