Emma Černá

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

Early 18th century. Cartographer Jonathan Green undertakes a scientific voyage from Europe to the East. Having passed through Transylvania and crossed the Carpathian Mountains, he finds himself in a small village lost in impassible woods. Nothing but chance and heavy fog could bring him to this cursed place. People who live here do not resemble any other people which the traveler saw before that. The villagers, having dug a deep moat to fend themselves from the rest of the world, share a naive belief that they could save themselves from evil, failing to understand that evil has made its nest in their souls and is waiting for an opportunity to gush out upon the world.

After their young daughter dies suddenly from a viral infection, Marie and Petr struggle to cope with the silence and emptiness left in their apartment. The couple drifts apart as Marie sinks into deep isolation while Petr attempts to distract himself through work and social interactions. Eventually, they decide to try for another child in an effort to move forward and rebuild their fractured relationship.

An old man is wandering round a badly signposted and as yet mostly under construction Prague housing estate looking for the high rise block into which he is supposed to be moving with his daughter's family. The old granddad from the countryside likes chatting, nothing escapes his eyes and he wants to give everyone a helping hand.

Sonya is the heiress to the riches of a Czech noble family—the Hajns. Petr, a social climber marries her, ignoring some shady goings-on—in particular, an insane uncle who prowls the mansion believing himself invisible, a peccadillo the family indulges. The uncle’s stalking every corner of the house, popping out of cupboards and out from behind curtains slowly takes its toll on the young bride.

A WW I veteran still haunted by his time in the trenches settles in a small town to work for the railroad company. His pretty wife attracts the attention of the lonely young gravedigger.

The Battle of Moscow is a 1985 Soviet multi-part war narrative, presenting a dramatized account of the 1941 Battle of Moscow and the events preceding it. The battle was the first major defeat of German Wehrmacht in the Second World War.

The film is a concert of well-known actors from an alcohol rehab where a middle-aged man has taken refuge to get rid of his addiction. In the rehab, cruelty is personified by the attendant who, with sadistic satisfaction, hands out demerit points for the slightest sign of displeasure or rebellion.

The film tells the story of the relationship between a mentally disabled uncle and his nephew, whom fate brings together at a certain moment, gradually forming a bond between them that is a demonstration of the strength and "power" of friendship. This is then put to the test by those who, for various reasons, try to separate them. Among other things, the film is a confrontation between the two main, innocent protagonists and those who lost their innocence long ago and are guided primarily by what can benefit them, often at any cost.

Robert works for a travel agency and helps to arrange scenes from the everyday lives of "ordinary" Czech families as an attraction for Japanese tourists. He also works as a kind of matchmaker and occasionally helps to put together some of his friends. He helps to separate his friend Hanka from Peter, an announcer for an independent radio station who tries to capture "real" life by recording the moments from "reality" and playing them over the air. Vesna, came to Prague from Macedonia because it is according to her the best place for UFOs to land, but her real reason for coming is somewhat different... Hanka is followed by the crazy Ondrej, until then a respected brain surgeon, and married with two kids. Through him she meets Jacob, who uses copious amounts of weed in order to be constructive in this gloomy world. On the other hand, this destroys his short-term memory - and he forgets that he already has a girlfriend...

The story of fifteen-year-old Renata, who lives in a small apartment with her divorced parents, takes place during the socialist era of the 1980s. Not only does she have her own problems appropriate for her age, but she is also disgusted by her parents' constant arguments, who willingly involve her in all their intimate matters. She takes revenge on them by getting into more and more trouble. She gets drunk, listens to Radio Free Europe, and rebels somewhat clumsily against the political situation. But when things get really bad, she allows herself to be rescued by her father, a member of the secret police, with a mixture of admiration and contempt. Weaned on this confused world of adults, she clumsily stands on her own two feet. Only when she falls in love with a boy she doesn't want at a dance and loses her virginity to a boy she doesn't really know, only after various emotional escapades, does she find a certain indulgence for her eternally quarreling parents...

Based on the only extensive prose work by the surrealist painter Josef Capek, Shades of Fern most resembles the philosophical fairy tales and fables of Josef’s older brother, the legendary Czech novelist and playwright Karel Capek. Two young poachers, more boys than men, kill a gamekeeper when they are caught illegally hunting. Panicked, they retreat into a forest that grows steadily more forbidding and deadly as their fear for the future—and guilt over their action—mounts. Loosely based on hundreds of oral folk tales and legends that haunt the woods of Czechoslovakia, Vlácil’s contemporary updating artistically underscores the relationship between man and nature, crime and punishment, isolation and society, and guilt and memory.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

Dr. Lauren is staying in Prague for a conference and falls in love with Czech writer Jiri Kolmar.

In the aftermath of World War II, a soldier takes charge of a manor formerly owned by a German family and falls in love with the daughter, now a maid. Their relationship forces him to confront the tension between his love and his conscience.

Sixty-year-old Joska Platejz, a peculiar jack of all trades, lives in a cottage in the Giant Mountains. He cooks wonderfully for a group of woodcutters. He has brought a mountain stream to his cottage and set up a set of tanks (one of which he keeps trout in). He also has a wind turbine, a wood-burning cable car, air-conditioning in the cottage and a mannequin of a man called Albert, who scares away unknown visitors. Joska is a man who claims that it is best to be alone, yet he constantly tries not to be alone. He is friends with a gamekeeper, a teacher, he tries to get his children to visit him regularly and therefore easily succumbs to a middle-aged lady. She doesn't take long to persuade him and soon comes to his cottage. A great love seems to be born...

The waitress Gita from the hotel "Bobí vrch" approaches her lover who has not left his wife yet and gives him an ultimatum: if he does not do all according to her wish, she will announce to the police his machinations with foreign currency.

An aging professor at a Prague neurological clinic is forced to confront his personal values and the harsh boundaries of medical science. Already burdened by the ultimate questions of life and death, his ethical convictions are put to the test by Víťa, a young patient with an inoperable tumor.

A psychological drama about a nurse and a seriously ill car racer and factory driver...

Capturing the dark humor of Czech author Michal Viewegh's chronicle of life after the Velvet Revolution, this black comedy chronicles three decades in the life of a small Czech family. While the original novel centered on the protagonist Kvido from his conception through his adulthood, first time director Petr Nikolaev and screenwriter Jan Novak changed the focus to his parents Milena, an extremely self-effacing lawyer who acts on stage in her spare time, and Ales, a rather aimless government worker who tends to drift wherever the wind takes him. The lives of Ales and Milena change dramatically following the Russian invasion of Prague in 1968.

A remake of Vávra's 1948 atomic age thriller Krakatit. Engineer Prokop creates the devastating explosive “Krakatit” and soon confronts manipulative agents and imperialist conspiracies. Realizing his invention’s threat, he fights to prevent its misuse, risking everything to stop those who seek to exploit his epochal discovery.

Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.

In modern hospitals are carried out intensive cardiac surgery. Daily operations individually comments attendant Cajthaml ... Stylized ,, dream "scene are combined with documentary footage of actual operations, which were filmed at the University Hospital in Hradec Králové. The unique cinematic experiment theater and TV director after only a few years remind viewers.

Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.