Jean-Pierre Lledo

Long quest for a director specializing in commissioned films, who after a depression rediscovers his loved ones, his Casbah district, himself. Taken in hand, for a while, by his Islamist neighbor, it is above all the meeting with an old projectionist giving him a censored history of cinema and Algeria, which helps him to change, and to accept his own fantasies, embodied by Marilyn Monroe and the Andalusian.

Set in the 1800s among the Berbers of North Africa, this 1997 Algerian feature concerns a noble widow who receives a customary purse of gold coins from the enemy tribe that murdered her husband; the gift puts her in conflict with her kinsmen, who want the money to buy back land taken by the enemy in cahoots with French colonials.

When independence is declared in 1962, the minority communities of Jewish and European origin flee Algeria. Four people of Muslim ascendency searching for the truth about their own lives evoke the last decades of French colonization, the years of war, from 1955 to 1962. Hatred and friendship lead us through a hidden memory: their relationships with their Jewish and Christian neighbours. The foundational myths of the new Algeria are revisited, but will they succeed in getting to the bottom of their own legends?

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…