K. Ramachandra Babu

A rendering of the classic Arabian tale of Aladdin and his magic lamp.

Indira who comes back to her village after many years is shocked to see her childhood friend Unni rebellious. However, she tries to give him support and bring a change in his life.

Chanthu, a poor orphan and Aromal are cousins and belong to the Chekavar clan, a warrior clan who hire themselves out as duellers to settle disputes among the rich and powerful. Aromal, jealous of the much more talented Chanthu, makes life miserable for him and Chanthu decides to leave and live with Aringodar, a rival chekavan, as his pupil. When the two sons of a local landlord have a property dispute and decide to hire Aromal and Aringodar to duel it out, Chanthu has to decide where his loyalty lies - with the family of the uncle who brought him up or with Aringodar who provided him with sanctuary.

The animosity between two brothers extends to their wives and their children. The younger generation ends up paying the price.

Saleena is happily married to Mathew , a wealthy estate owner. Inexplicably she commits suicide much to the shock of Mathew. He firmly believes that there existed no reason for her to do the act and asks his journalist friend Balu to investigate why. Balu, who was also close to Saleena, tries to piece together clue from her past to figure out the answer.

The Maanikesseri family burn their maid Ganga alive after she falls in love with one of the members. Later, she returns as a spirit to take revenge against the perpetrators.

The film tells the rags-to-riches story of a young street performer from the slums of Chennai.

The story takes place in a small village surrounded by hills and valleys. Young Pappu, a teenager, awaiting school results to go to college, has plenty of time on hand. His trouble is adolescence, but neither his mother nor his aunt can diagnose his affliction. Everything around him excites and stimulates his sexual curiosity. Twenty plus Rathi, the girl next door, has been chechi (elder sister) to him since he was a child. Unaware of the stirrings of his desire, she dismisses his first overtures to her as boyish pranks. But soon her feelings change. She is sympathetic to the boy's confusion and goes to the sarppakkavu (cobra-shrine) to keep a midnight date with Pappu. It storms and thunders while Pappu makes love to Rathi. Only then do the storms—the one tormenting him inside his mind and the other raging thunderously on the outside, subside. Aghast at what has happened,