Catharina Haverkamp

Loonies II

Nursing home Zonnedael has been shut down by director Bomhoff: the psychiatric in-patients Bep Brul, the Major, Fats, Ms. De Haas and Dr. Doolittle are reintroduced into society against their wishes. Nurse Ten Hoeven, who always cared for her patients with love and care, is grieving: her main purpose in life has gone. To make matters worse, she is kidnapped. Of course the patients take action immediately. Under the Major’s guidance they embark on a risky and lunatic venture, to finally discover the incredible truth behind the kidnapping.

Isabelle

For his short graduation film Isabelle, Tim Oliehoek filmed Tessa de Loo’s novel of the same title (ten years before Ben Somboogaart made it into a feature film). Oliehoek’s film captures the novel’s fairytale nature in dark, atmospheric photography and displays his preference for the use of archetypes and genre clichés in an economical, attractive narrative.

Smeris

Escape from Albatros

Mijn dochter en ik

Circus Noël

Loonies II

Nursing home Zonnedael has been shut down by director Bomhoff: the psychiatric in-patients Bep Brul, the Major, Fats, Ms. De Haas and Dr. Doolittle are reintroduced into society against their wishes. Nurse Ten Hoeven, who always cared for her patients with love and care, is grieving: her main purpose in life has gone. To make matters worse, she is kidnapped. Of course the patients take action immediately. Under the Major’s guidance they embark on a risky and lunatic venture, to finally discover the incredible truth behind the kidnapping.

Isabelle

For his short graduation film Isabelle, Tim Oliehoek filmed Tessa de Loo’s novel of the same title (ten years before Ben Somboogaart made it into a feature film). Oliehoek’s film captures the novel’s fairytale nature in dark, atmospheric photography and displays his preference for the use of archetypes and genre clichés in an economical, attractive narrative.

Smeris

Escape from Albatros

Mijn dochter en ik

Circus Noël