Dale Wasserman

A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.

Einar, brutal son of the viking Ragnar and future heir to his throne, tangles with clever slave Eric, for the hand of a beautiful English maiden.

In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.

Based on Graham Greene's novel about a flawed but devoted priest in 1930s Mexico who attempts to perform his duties while eluding a police lieutenant determined to capture him.

The good doctor is on trial before the British Medical Association Council, if he is found guilty, he will no longer be allowed to practice medicine. The story unfolds through flashbacks which depict his career and his subsequent downfall.

During France’s Hundred Years’ War, a Parisian student seeks refuge by the sea and falls in love with an aristocrat. As they find shelter in a monastery, their romance is overshadowed by the ongoing conflict between peasants and noblemen.

An amnesiac wanders the streets of Manhattan, trying to solve the mystery of who he is.

The beloved American musical that brought us “The Impossible Dream” turns its lens on modern love and society, especially as brought to the Playhouse stage by director Mark Lamos in our award-winning 2018 production. In this play within a play, Cervantes has not yet finished his manuscript for Don Quixote—he sits in jail awaiting trial during the Spanish Inquisition. Fourteen actors portraying Cervantes and his fellow prisoners bring to life the great odyssey we all know of a questing knight tilting at windmills and battling for the love of the fair maiden Aldonza.

Set in Brazil, this drama is based on a short story by Oscar Wilde about a fisherman who meets and falls in love with a mermaid, giving up his soul in the process.

McMurphy pretends to be mad to avoid a prison sentence but existence in the mental hospital is not what he imagined.

A reporter and a photographer become entwined with women, marriage, and a defecting Russian scientist while on an expedition to Antarctica for their magazine.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

The Richard Boone Show is a short-lived, award-winning anthology television series. It aired on NBC during the 1963-64 season.