Marc Minkowski

The prologue sets the stage for the action: Thespis, Momus and Thalie announce the subject of the play. It is a comedy mocking the folly of man...and the story of a trap set by Jupiter to cure Juno of her jealousy. The trap? It consists in convincing the water nymph Platée that Jupiter is in love with her. Mercury officially declares Jupiter’s love to Platée. When the god appears before her – first as a donkey, then an owl - the nymph calls on the birds of the marshes, but they scare Jupiter away. Luckily he quickly returns and declares his love for Platée. He even wants to marry her. La Folie comes to sing for the fiancée during an absolutely chaotic scene. However, as the couple prepares for the wedding, Juno arrives. Furious, she puts an end to the farce and ascends to the heavens with Jupiter. Humiliated, Platée understands she has been duped. She swims off into the marshes, as the chorus sings an ironic song in her honour.

This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment.

Don Giovanni was commissioned by the Prague Opera immediately after the success of The Marriage of Figaro: Mozart and Da Ponte wanted to build on their success and chose a subject that had triumphed just a few weeks earlier in Venice, a Don Giovanni composed by Giuseppe Gazzaniga. Revisiting the theme of the Seville Cheat – a prevalent subject in theatre since the mid-17th century, especially through Molière’s powerful incarnation, and in a ballet by Gluck in Vienna in 1761 – Da Ponte focused the work on the libertine character of Don Juan, no doubt drawing inspiration from his friend Casanova (who in fact helped make changes to Act 2, Scene 9, and attended the Prague première).

In 2009, Frédéric Mistral’s tale of love and loss in Provence came to the Opéra de Paris with a new production of Gounod’s 1864 opera Mireille. Nicolas Joel’s naturalistic staging frames the accomplished performances of Albanian soprano Inva Mula as Mireille and American tenor Charles Castronovo as her ardent country lover Vincent.

ARTE pays tribute to bass-baritone José van Dam, who passed away on February 17, 2026, and who will remain one of Belgium's most iconic voices. In May 2010, the “maestro” bid farewell to the stage at the Théâtre de la Monnaie in Brussels, in one of his favorite roles, Jules Massenet's “Don Quichotte.” A moment out of time.

The Chorus and Orchestra of Teatro Alla Scala conducted by Marc Minikowski; Teatro alla Scala, Milan, March 2015

Così fan tutte, or The School for Lovers, is the last joint opera buffa by Mozart and Da Ponte. The libretto and score were written in a month in December 1789, and the premiere took place at the end of January 1790, but the death of the Emperor interrupted the run after five performances. This Neapolitan-style comedy (the action is set in Naples!), but very much inspired by French comic opera, and in particular by Femmes Vengées composed by Philidor in 1775 to a libretto by Sedaine (which was performed in Vienna), where two women wanting to teach their husbands a lesson exchange their roles by cross-dressing… in order to seduce them and confuse them better! Twenty years later, Mozart and Da Ponte found exceptional inspiration for this comedy of manners in the spirit of Marivaux, where love, beauty and cruelty are subtly intertwined, until all hell breaks loose for some anthological moments!

The definitive version of this rare opera by Wolfgang Amadeus Mozart. The costume and set design is truly visionary and other worldly and gives a convincing insight into what staged operas must have looked like during the Baroque and Rococo period. Singers are all excellent and well cast in their respective roles. One of the most thrilling things I have seen, just wish I could see this live.