Maurice Barry

At the end of the Great War, Arsène Lupin resumed his adventurous life. Theft of three paintings committed by an adversary leads him to the treasure of the Golden Fleece.

A French officer and his sister develop an inappropriate attraction, leading to comical misadventures and an unexpected twist that brings them closer despite their forbidden desire.

Back from a stay in the Far East, a woman who knew the names of the chiefs of a drug ring is murdered. Georges Masse, the famous reporter, decides to investigate, accompanied by his faithful photographer P'tit Louis. He will come across some unappetizing characters like M. Dubois, a killer, Luigi Costelli, a dangerous trafficker and a beautiful but dubious lady, Suzanne Wilson. After being himself suspected, Masse will make the truth triumph.

17 year-old small-town girl Nicole Noblet comes to Paris dreaming of becoming a world-famous actress.

Thérèse, a young flower girl, tries hard to remain virtuous but the whole world seems to conspire against her, whether her petty Paris family, or her relatives in the province bristling with false respectability, or her lustful employer, or the boy she loves who seduces her and abandons her. But at the end of the day there is Yvon, her childhood friend. Will he be the one that will love her truly?

A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.

Balzac is a 1951 short documentary film by French director Jean Vidal. It is a biopic on the work, life, and loves of the French playwright and novelist Honoré de Balzac, his evolution as a writer and how his individual works fit into the design of La Comedie Humaine. The film was nominated for an Academy Award in 1952 and won first prize for best director at the Mannheim-Heidelberg International Film Festival the same year.

An Englishman tries to adapt to life in France

Prince Myshkin is a good man, yet his goodness borders on naivety—or even idiocy. After spending his youth in a Swiss sanatorium being treated for epilepsy and autism, he returns to Russia to enter social circles riddled with hypocrisy and greed. One emerges from the experience dazed, as if waking from a troubled dream.

Matador Ricardo wants to end his career. His manager and his mistress manage to dissuade him and get him to sign two contracts.

Françoise, a charming young saleswoman for a leading jeweller, is being courted in vain by a billionaire shipowner. He attributes her failure to the existence of a rival, and decides to have her followed by a private detective. Françoise, commissioned by her boss to transport a valuable necklace to Cannes, is accompanied by a bodyguard charged with her safety. Françoise, the bodyguard and the detective meet on the train and a series of misunderstandings ensue.

A man assists his gravely ill wife to die and wants to face justice for this, but his brothers try everything to keep the family's name clean.

"Thieves We Are" - In flashback, the audience learns why 104-year-old Amedee steals the watch belonging to the town mayor. The story develops into a history of the watch-thievery business, told in anecdotal fashion.

A bank clerk is bored to death with his nine-to-five work under his boss ' watchful eye. His missus is a pain in the neck and his in-laws are not better.

The leader of a youth movement is suspected of the murder of his best friend and supporter. A television broadcast intended to help find witnesses reveals the organisation's troubled interior life as well as a far more personal tragedy.

Paul Dorgères, a wealthy industrialist, has been mysteriously murdered. The investigation is entrusted to the experienced Chief Inspector Bonnardel and his young rookie assistant, Inspector Richard. Suspicion turns to his mistress Catherine Villard, with whom he had just broken up on the night of the crime. She is soon arrested and charged. However, Inspector Richard discovers a button at the scene of the crime which could help him to trace the trail and confound the culprit(s).

A romantic German girl is brought to France. After an interlude with an old roue, she falls in love with a simple, but married, man. She goes to work for him as a servant, but after a night of love with him, she commits suicide.

From Pigalle to the Grands Boulevards, via the Champs-Élysées, a stroll through the heart of the Parisian nightlife, until the wee hours of the morning.

Everyone in Paris thinks Fantomas is dead. A wave of extortion, blackmail and murder all point to the master criminal. Inspector Juve and his reporter friend Fandor set out to find the truth.

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

An old merchant ruined by the dot its two ungrateful daughters, moved to the Vauquer pension in Paris. In after Balzac.

Two adaptations. First, "Le Rideau cramoisi" by Jules-Amédée Barbey d'Aurevilly is about a young second lieutenant of hussars, garrisoned in the provinces, who evokes a strange adventure. Staying with an old couple, he acts as acquaintance with Albertine, the daughter of his hosts, fell in love with her and, after paying her assiduous courtship, made her his mistress. But one night, she died in his arms. He tried in vain to get rid of the corpse and ended up run away. Second, "Mina de Vanghel" by Stendhal is about Mina, a young German, who came to settle in France with her mother in 1820. Her father, a deceased Prussian general, left her a immense fortune. Courted, she falls in love with Monsieur de Ruppert, a ruined man whose castle her mother bought. But Mina does not take long to unmask the dowry hunter.

Gaston, nicknamed Pilou, has left his native village and Yvette, the girl of his heart, to go to Paris where he has found work as a painter. He is a naive good-natured man who, like most of his fellow-workers, favors a little song or two while he works. For the time being he is busy repainting the exterior of a block of flats and, when he does not sing to pass the time, he looks through the windows, observing the tenants in their daily lives. As time goes by, he goes as far as intervening and changing the course of their lives. In the end, despite having found a lookalike of his fiancée, he returns to her.

Prince Myshkin is a good man, yet his goodness borders on naivety—or even idiocy. After spending his youth in a Swiss sanatorium being treated for epilepsy and autism, he returns to Russia to enter social circles riddled with hypocrisy and greed. One emerges from the experience dazed, as if waking from a troubled dream.