Rudolf Asmus

Walter Felsenstein's staging of Jacques Offenbach's The Tales of Hoffmann at the Komische Opera Berlin.

It happened during the reign of King Vladislav Jagiellon: the rebellious knight Dalibor is sentenced to death. An attempt to free him fails. This underappreciated transcription of Smetana's opera surprises with its fresh originality, even compared to much later attempts to translate musical-dramatic works to the screen.

After the second World War, Dresden has a lot of reconstructing to do. To get the cigarette factory he once worked for running again, Kalle has to travel to Wittenberg - the only place where carbide can be found. Once there, Kalle find himself in the unfortunate situation of having to hitchhike his way back to Dresden, transporting seven heavy barrels of carbide. However, his inventiveness and optimistic attitude help transform the grueling task into an adventurous, entertaining, and funny journey.

Telling the prisoners of a death camp. Boxer Tony Majer, who got into a concentration camp for a fight with the Gestapo, remembers the murderous work in quarries, on the cruel torture of the Nazis and prison solidarity that helped him survive.

The film, in individual episodes, captures the fate of Bedřich Smetana from 1856 until the end of his life, from his young years until the moment when, exhausted by human and artistic hardship, he sees the fulfillment of his great dream, the opening of the National Theatre.

1965 production of The Cunning Vixen directed by Walter Felsenstein at Studio Adlershof.

This is released as part of Art Haus' Walter Felsenstein edition. Felsenstein, a contemporary of Bertold Brecht, ran the East German Komische Oper from just after World War II to his death. Felstenstein was famous for his ensemble productions and for the enormous amount of rehearsal time that went into his productions.