Emília Došeková

Historical reconstruction of the events of the anti-fascist struggle in Slovakia in 1943 and 1944.

This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.

Vlado, an intelligent boy living in a small village, has fantasies that take him away from his humdrum life. But as the Nazi occupation begins to encroach on the townsfolk his fantasies and reality begin to merge.

Eugene, an aging man, leads a double life - one real, the other in his dreams. He goes to see a psychoanalyst, who tries to interpret the meaning of his dreams. Eugene finds a way of entering his dream-world at will and finds out about his childhood and what really happened to his parents.

Autumn 1944, the Slovak National Uprising is suppressed and the fighters must withdraw to the mountains. Commander Repta’s unit takes along the thirteen-year old Zuzka, who lost her home and all her relatives in the rebellion. But the enemy brutally pursues them and Repta therefore must divide his unit. The withdrawal is covered by the group commanded by Peter, whose members almost all die in an exchange of fire with the German soldiers. The only one to survive is the severely wounded Peter. Zuzka, of whom everybody forgot in the zeal of the fight, hides him from the Germans. As soon as Peter is able to walk, he and Zuzka set off to meet their co-fighters.

A girl is transformed into a maple tree by her impulsive and angry mother. Three poor wandering musicians come by the tree and create instruments from it. Walking around the country instead of happiness they bring death everywhere with their cursed instruments. However they cannot get rid of them, unless they bury the wooden instruments at the place of the tree. The three are anything but harmonious, each taking in their disputes various stances.

King Philip, wounded in a losing battle, promises the witch Fate "the most precious thing he has" for victory and peace in his country. However, he has no idea what Fate is really asking of him. When he learns that it is his infant daughter Radena, he does everything in desperation to save her. For years he has been searching in vain for Fata, and the day of fulfilling his promise draws near...

Johanka had a fling with a well digger she had not met before and who, she was most likely certain, would never be around again. Just before his departure, they have sex and she eventually becomes single mother of a baby girl. Now, 18 years later, her daughter Paulina commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulina take up residence in the city. Johanka, prodded by her also-single friend Jozefka who maintains that a woman without a man is nothing, begins to woo the new teacher Jarek only to discover later that he is married. Paulina, in the meantime, loses her virginity to the soldier Jirka who promptly makes himself scarce. Johanka fails to consider that she actually has a better life than some of her married neighbors, begins to see.