Stelios Tatasopoulos

A humble clerk gets his lucky break when a compassionate man offers him a well-paying job. Now, his relatives all want a piece of his salary, as his mother-in-law is telling everyone that he is rich. Is there an easy way out of this mess?

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Michalis and Filippos work in a garage and dream of the good life. One day, they decide to take the car of a businessman, Aristeidis, who is away in Paris for a few days. At a night club, they bump into Mitsi, Mr. Aristeidis’ daughter, and Michalis pretends to be the rich businessman. The girl, although she suspects the truth right away, likes them and invites them over to her house.

A young emerald miner is in love with a girl but doesn't ask her to marry him because he cannot support her financially.

Two unemployed men are linked by friendship and go through many adventures together.