Mehri Vadadian

A man divorces his wife by having two children. She is an accounting officer and is now unemployed.

A man from a respectable and rich family is fascinated by a derelict woman. He intends to marry her, and despite his family’s disagreement, he does it. But the former lover of the girl remains intrusive, until she kills him to defend herself. She becomes imprisoned, but after being released from the prison, the family of her husband finally accept her.

A man who is the cause of his former life, and who suspects that he will expose the old chief

Well-educated and humble teacher Mr Hekmati arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman who nurses her elderly mother and raises her young brother.

Sadeq (Bahman Mofid) and Hojjat (Manouchehr Vosouq) are two cousins.

Khanom Bozorg wants to give her necklace to her grand daughter Reihan but her son and her expelled daughter Nimtaj are after it. They send two thieves to steal it from Reihan.

Parvin meets a young man named Jalal Agha-Balakhan on the street and takes him to his friend Azar's birthday party. Jalal, who is a mechanic, introduces himself as a engineer Omidvar. Parvin also pretends that his father is a police colonel. Azar is also interested in Jalal; But soon Bahram, Azar's friend, seeing Jalal in the mechanical workshop, doubts Jalal's job and social status and discusses the matter with Azar and Parvin.

Malook (Criminal Angel), the daughter of the local hero (Valiullah Shirandam), runs away from her father's house to fulfill her dreams and joins a group of vagrants who call themselves "hippies"...

Akbar, after completing his period of exile, goes to Tehran to attend the wedding ceremony of his brother Habib and Maryam. But when he arrives, he finds that a mourning chamber has been set up for his brother instead.

A capricious man who is suspicious of his wife spells her out of the house with her little son Nemat who is a cripple. The boy grows up while working in various jobs from selling oil in

A group of Iranian classical musicians in the Ghajar era try to release their first record, which takes them on a journey to France.

In one of his daily wanderings, Ghasem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other's words, they strike up a friendship and the girl accepts to sleep with him. But Ghasem doesn't have a place of his own and the girl is about to depart by the next morning. Together they set off on the glistening yet hostile streets of modernizing Tehran of the 70s, in a futile search of a corner of intimacy, while time is ticking away....

Reza Haft-Khat and his friend Mamal live by gambling and extortion. Reza pretends to be proficient in business affairs and in this way he meets Aghdas, Mirza's daughter, and promises to marry her.

Hajji Hossein-Gholi Noori (Haji Baba) goes to Washington D.C. as the first Iranian (Persian) ambassador to the United States of America. After he opens the embassy, he is unable to invite statesmen to visit him. Haji fires the embassy staff due to the inability of the Persian government to meet the embassy's needs. One night he is visited by President Grover Cleveland.

Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...

A family man falls in love with a widow, only to ruin his reputation and lose his wealth.

Mahdi (Morteza Aghili), who has a poor life with her mother (Mehri Vedadian) and her father Ous Hussein (Abbas Nazeri), is introduced to a wealthy girl named Gul (Alicen Vigen) whose father Hesam Khan (Kheshayar) has left her And he warns against Mahdi.

A free adaptation from Godard's Breathless that follows Amir, a foul guy who has killed a man in Abadan. He returns to Tehran and continuing his misdeeds trying to convince his girlfriend Zarry to escape with him to the south of Iran.

Four men: Akbar, a taxi driver, Mansour, a government employee, Mustafa, a boxer, and Qasem, a smuggler, return a man's stolen wallet, and the man issues a check for forty thousand tomans in their names as a reward. The next day is a holiday, and they, who do not trust each other, move into Mansour's house. Mansour lives with his wife and daughter Marzieh, and Mustafa falls in love with the girl, who has already been deceived. Mustafa defeats his opponent in the Asian qualifying match, which is held on Friday. In the meantime, Qasem arranges with his friends to be ready on Saturday when the check is collected and to steal the wallet. Qasem's accomplices intervene, and Mansour is killed in a fight with Qasem's bullets. Qasem is arrested, and Mansour, at the last moment, hands his daughter over to Mustafa.

This film, based on a well-known novel of the same name by Sadegh Chooback, is about a wronged man seeking revenge. Director Amir Naderi's inspiration for making the film was one of his childhood heroes, the legendary Zar Mohammad, who waged a one-man war against four swindlers and provoked wide spread popular sentiment against tyranny.

A number of the mine workers have gone on strike. Ebraam, who is the workers’ representative, is forced—under the employer’s threats—to sign a contract that makes conditions even tighter for the workers. Overcome with shame and guilt, Ebraam hangs himself, and the townspeople force his wife and his sons, Aslaan and Salim, to leave their home. They move south, and years later Aslaan, by working at the Port Authority, manages to provide Salim with the means to study. Salim goes to the capital to continue his education, and Aslaan enters the service of Farrokh in order to steal the property of Teymour, the port’s contractor.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

An uproarious adoption of a popular novel by Iraj Pezeshkzad set in and around the family compound in early 1940s Tehran, marvelously rich in personality and incident. The title character, so-called because of his constant invocation of the general, rules over a wonderfully complex extended family. A hilarious series which makes fun of just about everything.

England attacked south of Iran on the pretext of the siege, by Ahmed Ristini, the Syrian, and, with the exception of the titular, the strong prince of the lye, in defence of Persia and the British are cut down to defend the people of England, who attack from land and water to the south, Ali de la Chevreuse, and who robbed the poor and the poor.

It describes the story of a couple, Sahra and Sasan, whose marriage had broken up with maternal involvement and other factors.