Adoor Pankajam

A man falls in love with an ethereal being who struggles to come to terms with human love

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

Three fishermen, Rana, Pappu and Konthi, face a dilemma due to their grown-up children. Wealthy Rana's son falls in love with Pappu's daughter, which leads to a rivalry between him and Konthi's son.

Sudhi, an autorickshaw driver, and Meenakshi, a girl from a rich family, are in love. Meenakshi's family members are strongly against this relationship, but her grandfather decides to help them unite.

Lora Nee Evide (transl. Lora Where are you?) is a 1971 Indian Malayalam film, directed by T. R. Raghunath and produced by M. Kunchacko. The film stars Prem Nazir, Ushakumari, K. P. Ummer, KPAC Lalitha, Radhika and Adoor Pankajam in the lead roles. The film had musical score by M. S. Baburaj.

A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.

Satyaraj and Dharmaraj, two thieves, disguise themselves as old men to escape from their problems. They join a group of old men at a resort, who have come to enjoy life for a month.

Bharya is a 1962 Malayalam language film starring Sathyan and Ragini in the lead roles. It was directed by Kunchacko based on a novel with the same title by Kanam EJ. The novel was based on the controversial Thiruvalla Ammalu murder case.

Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.

Rakhi's wedding is ruined when her fiance's family learns about her mother, who is a prostitute. She blames her mother for her plight, unaware of the truth.

This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.

Ramaswamy (Jayaram) and Veni (Parvathy) are very close brahmin siblings who lost their parents in their childhood. They live under the protection of Devan (Nedumudi Venu) in a tourist town near Trivandrum. They have an extensive friends circle which includes the feisty Fifi (Urvashi), her brother Tito (Ashokan), Suku (Jagathy) and Sajan (Sreenath). Veni and Tito fall in love much to the displeasure of Ramaswamy because of their religious differences.

Luke's daughter is of marriageable age but his neighbour is hellbent on making Luke's life miserable. Thankanchan, a rich man, befriends Chinnamma who's none other than Luke's daughter.

Ponnapuram Kotta is a 1973 Malayalam language film starring Prem Nazir, K. P. Ummer, Vijayasree and Vijayanirmala in the lead roles.

Kodungallooramma is a 1968 Indian Malayalam-language film, directed and produced by Kunchacko. The film stars Prem Nazir, K. R. Vijaya, Adoor Bhasi and Thikkurissy Sukumaran Nair. It was based on the Tamil poem Chilappathikaram by Ilango Adigal and also tells the story of Kodungallur Bhagavathy Temple, where the leading deity is also considered as Kannaki, the heroine of Chilappathikaram. The film had musical score by K. Raghavan.

Vasanthi's parents get her engaged to a police officer, Gopi. However, her life takes a turn when Gopi leaves her after making her pregnant.

Thattakam is a 1998 Indian Malayalam film directed by Ramesh Das and starring Nedumudi Venu and Ranjitha in the lead roles.

Pappu is a person who takes a relentless stand for justice right from his early years. His protests against his teacher who discriminates between the landlord's son and other children brings him the wrath of the landlord and he's forced to leave home. He leads a hard life fighting to uphold his ideals. He ends up being a rickshaw puller and at this time finds a child from the gutter and takes care of her. Things do not go as Pappu expected as the child grows older.

King Rajasekhara, the king of Pandalam, finds a child on the banks of River Pampa during one of his hunting expeditions. A saint who appears there advises the king to adopt this child name him as Manikantan

Kumara Sambhavam is based on the epic poem of the poet Kalidasa of the same name.

Lakshmi (Saradha) is married to Satheeshan (Madhu). She gives birth to a child, but their relationship begins to crumble when Lakshmi reveals that the real Father of her son is a celestial being.

The movie opens with Revathi coming with his son to visit Balachandra Menon’s house where only his grandmother Sukumari lives now. Menon’s son, during the stay at his house, asks Sukumari who is his father and the movie cuts to the flashback.