Achim Wolff

Maja Wegner is in her late thirties and a single mother of a teenage daughter. To give her stale life a new direction, she decides to start all over again in the big city. She sells her house in the countryside, quits her job, and moves with her daughter to Berlin. There, she finds a job as a conductor for the railroad company. Although Maja soon finds new friends in her apartment building, the search for a new life partner does not come off so easily.

Susanne (17) and Robert (18) want to get married, but because Susanne is still under-aged, she needs parental permission. With twin babies and tight finances, the newlyweds soon feel overwhelmed, and dealing with everything makes them forget the love that originally brought them together.

Little Felix Grosser is given a chest full of tin toys by old Mrs. Goldberg. The woman had once saved the toys for her future grandchildren, but her children were too busy working to start a family. Now Felix receives the old toy and Mrs. Goldberg warns him not to let it fall into other people's hands. Felix takes a white, dancing "magic horse" from the chest into his nursery, along with various other items. His parents, who are busy remodeling the bathroom despite a lack of materials, only find out after a while that the pony is a gift from Mrs. Goldberg, who no longer lives in the house. They have no idea about the chest full of toys in the attic.

"Captain" Werner Träsch is quite astonished: the fresh wind of social change is also blowing among the tradition-conscious Berlin garbage workers. His boss, Dorn, has got it into his head that women should finally be employed as refuse collectors.

Film by Rolf Losansky.

Mechanic Hannes Blaschke and his wife Maxi, who works as a bus driver, have just become happy parents of twins. Now they have a serious transportation problem: Their Trabant is far too small for the grown family that furthermore includes two sons and a dog. Thanks to the support of a state secretary and of his brigade, Hannes acquires a Tschaika – a limousine that is normally restricted to representational purposes – for a small price. Whereas Maxi views the state carriage only as a useful means of transportation, Hannes enjoys the unusual pre-emption he is receiving for the spectacular car. Hannes, who normally is just a humble guy, starts to grate his colleagues with his new affectations. Thus, they teach him an effective lesson: They decorate the state carriage with flowers and thus bring Hannes back down to earth in a humorous way.