Wong Man-Lei

Musician Song Yu and jewellery designer Yuet-heung, who barely know each other, meet in their dreams before finally uniting in person.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.

13-year old Bruce Lee plays San, a child up for adoption. Finally accepted by his surrogate parents, he is faced with a dilemma when his real parents show up and want him back.

After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.

Lawyer Fan Kam-man believes that his wife Chun Yuen-yung perished in a plane crash three years ago and walks down the aisle again with Yan Bik-kei. In fact, Chun survived a crash-landing on a deserted island with fellow passenger Wong Ah-lik, a biologist. Returning to civilisation, Chun sabotages their wedding night at the hotel. Overjoyed with her safe return, Fan pulls off a feat with his mother and wife to terrify Yan into divorcing him. However the lie is exposed when Wong shows up. Unyielding, the women settle to serve as wives to the same man. Mistaking Fan for the person Chun is going to see, the eavesdropping Yan goes to the date in her stead and unwittingly sleeps with Wong. Yan finally settles for Wong, putting an end to the topsy-turvy.

Hong Kong horror movie from 1963.

Working as a telephone operator on the nightshift, David Lau received some calls from a woman for a David and agrees to a blind date. Wearing a violet on his lapel, David mistakes someone else for his date. Jennie Lee, a stranger, comes calling at the hotel, addressing a bewildered David with an intimacy that is familiar and awkward. Mok Yu-fuk, the self-proclaimed Sherlock Holmes, follows Jennie but gets robbed. Lau received an invitation to Jennie's birthday party. The guests acting strange at the party. Jennie and Lau take a stroll along the beach. Jennie suddenly hurls herself into the sea in a run. Five years ago, when Jennie was having a heart-to-heart talk with her fiance David Wong on the beach, her neglected brother ran off to the sea and drowned himself. Suffering from a nervous breakdown ever since, Jennie was devasted by the departure of her fiance to America. The hopes Jennie's parents are pinning on the new David to boost their daughter's recovery are merely wishes.

Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.

Autumn Comes to Purple Rose Garden

When the village is reportedly terrorized by a ghost of the mad woman, the superstitious great-grandfather refuses modern approach and insists to rely of witchcraft to solve the problems of the village, ensuing tragedy after tragedy.

Wai Kim-Fong stars in this ode to Chinese womanhood as a woman whose bravery and patriotism are equal to those of her male comrades.

Though her marriage with rich businessman Chan Hak-lit is crumbling, Anna Poon refuses to accept her childhood sweetheart Wong Kei-shu's courtship. Anna's younger sister Mei-na has a crush on Shu and treats Lee Man coldly. When she sees Anna being with Shu, she taunts Anna with stealing who she likes. Anna is hurt and goes back to Chan's house. Chan holds a house party and invites business celebrities. Shu attends it and when tells Anna he loves her when they dance. Anna rejects him and tells him never to see her again. Chan goes to the racecourse. When Shu falls down from a horse, Anna faints. Chan asks Anna what her relationship with Shu is. He warns her not to have any wrongdoing and ruin his reputation. Shu is fine and asks Anna to meet for the last time. Anna cannot turn down him and goes to meets him. Lit miscomprehends the situation and files a divorce. He even forbids Anna to see their daughter. A distressed Anna becomes a victim of love in a conservative society.

Orphaned at a young age and widowed on her first day of marriage, Ah Chen comes to rely on no one but herself. As she begins living with her good friend, she falls in love with her friend’s moody brother, Chan Chi-chiu after a rocky start to their relationship. Initially supportive of the match, Chan’s overprotective and superstitious mother forces the couple to separate when she is led to believe that Ah Chen is a jinx to anyone she marries.

The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.

Ghost story from Hong Kong directed by Ng Wui.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

A delicious comedy from Union Film, Money, traces the journey of a bag of cash from a bank robbery. The humour switches between the witty and the absurd, offering a biting examination of human nature when men and women are confronted with the chance of unearned wealth.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce. After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

The Passenger is a TVB television series, premiered on May 28, 1979. Theme song "The Passenger" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by George Lam.

The Brothers is a TVB television series which premiered on 21 April 1980. The show's theme song "The Brothers", was composed and arranged by Joseph Koo, with Wong Jim, writing the lyrics. It was originally sung by Cantopop singer, Roman Tam

The Duke of Mount Deer is a Hong Kong television series adapted from Louis Cha's novel The Deer and the Cauldron. It was first aired on TVB in 1984.

It tells about the new beginning of the 1980s, the rapid development of new towns in the New Territories, and the changes in the culture of the people in the New Territories due to urbanization. The center of the story is the Sun Kwong Village in Yuen Long, especially the protagonist Ho Man Tat (played by Lau Chung Yan), how to work hard In the end, she became unscrupulous and pursued the wealthy Yang Lijun (played by Feng Baobao), which finally became the main line of the play.

Over the Rainbow is a TVB television series, premiered on 29 January 1979. Theme song "Over the Rainbow" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Liza Wang.

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Orphan Ma Tianyou was raised by nuns in a Macau monastery, and grew up with Sister Connie, who knows the truth about his parents but kept it secret. At 19, Tianyou goes to HK to find his birth parents and ends up living with retired Dr. Fung. He meets the Wong family and falls in love with Ah Heung, but their relationship is complicated by their sibling-like bond. Back in Macau, Sister Connie reveals the painful truth that Tianyou's father is Fung's son, Fung Yue-lai, who had a complicated past with her and her friend who died giving birth to Tianyou. After struggling to accept his philandering father, Tianyou gradually reconciles with him.

Rob Kai (played by Shi Jian), the mastermind of Roche's shipping enterprise, and his brother Bo Hong, devoted their lives to the maritime industry. Rob Kai's eldest son-in-law keeps using Rogers' ships to smuggle drugs in order to get money, which puts the group in crisis. Meanwhile, Bo Hong, who had been struggling to find his wife and daughter, who had been lost for more than a decade, died of a heart attack. In addition to the departure of Bo Kai, who hurt his younger brother, he also invited Wei Man-han (played by Shek Hin), an outstanding executive in the industry, to join his company, hoping to redeem the disadvantage. At this time, Bo Hong's daughter Ke Su Xin (played by Ou Yang Pei Shan), who has been searching for many years, suddenly appears and works more into Roche, becoming Wen Han's secretary.