Miguel Narros

Spain, in the late 1940s. An amateur theater company dares to stage a controversial musical without the permits required by dictator Franco’s censorship authorities.

Paco is the boy buttons a luxury hotel. Usually do small businesses with the resale of tickets to bullfights tourists. By a misunderstanding is fired from his job. There is no use of his taste and wanders the Victoria Street taverns. Finally discovers his only chance in bulls, easy craft that believes and loves. The reality is very different and has to accept the truth which manifests itself in a very dramatic.

A couple of English tourists arrive at the island of Almanzora, off the Spanish Mediterranean coast, where they discover that there are no adults in a small fishing village, only some children who stare at them and smile mysteriously.

The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.

Two former students of a strict religious school decide to return there during the summer holidays to make those who were their teachers experience all the suffering they experienced as students, beginning a sinister game in which the buried violence, the dark traumas of the past and the desire to heal old wounds will lead them to an unexpected climax.

Barcelona in the early sixties: black and white chronicle of the ups and downs in the relationship of several young couples of the Catalan bourgeoisie during the time between two Saint John's eve festivals.

An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.

On a stopover in Barcelona, Fériaud Roland discovers a corpse in the hotel room next door. He wakes up in a strange clinic without remembering who brought him there. The doctor insists he hallucinated, but it's not long before he obtains evidence that it wasn't a dream.

The film plunges into the intrigue of a love triangle in which is involved a former actress who has a relationship with her husband, a film producer, her lover, the screenwriter of the films he produces and a criminal lawyer.

An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

On an island buffeted by storms, the seamen are confined with no desire to abandon the life by the sea. They spend days and nights drunk in the tavern. The young woman who serves them has one desire: to go far away. This sets the stage for a musical in the open, and will frame a story of love and adventure, reminiscent of the director's film Aoom.

After the rock band Los Bravos take a holiday at a mountainside camp situated next to a girls' school, their singer, Mike, ends up falling in love with one of the students there.

Kingdom of Castile, 15th century. A group of nobles, who question the dynastic legitimacy of Princess Juana, daughter of King Enrique IV, conspire with the purpose of overthrowing him.

This literary film is imbued with the disenchantment of Spanish exiles who left their homes to protest Franco's fascist regime and then returned after its demise to find that democracy had not instilled either ethics or deep motivation in government leaders. Director Basilio Martin Patino presents his story, and a large part of the film is based on his own life, through the experiences of an exiled heroine played by Charo Lopez. She has returned to Spain to look for meaning in her life, something that she never found living in Germany, not even after having a child. She is also in the process of translating the German lyric poet Friederich Holderlin (see the 1985 Halfte Des Lebens) into Spanish, focusing on his epic Hyperion. Excerpts from the translation are voiced over throughout the film. As she looks up old friends from many, many years ago, even those who have achieved worldly success are suffering from the same ennui that propelled her back home.

The Loinaz siblings live off petty theft in refined environments. When they find out that Peret is going to shoot a movie in Marbella, the whole family moves their headquarters to Marbella.

A gypsy who sells fish in a market, sings on weekends in a tablao. One day, a professor, exiled in Cádiz for her political ideas, offers the cantaora a job.

Adapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired in Oviedo. The young Ana, married to a retired regent, lives oppressed by the provincial hypocrisy and the mystical fears of an absorbing religion. Sexually dissatisfied, beset by constant erotic dreams, she reveals in her confessional her intimate torments, and her confessor begins to feel a morbid passion for her. At the same time, Álvaro Mesía, a Don Juan, intends to seduce Ana.

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez