Dink O'Neal

Kate and Sharon kill a man in self defense and are framed by the justice system. They are put in prison and forced into prostitution. With the help of their defense attorney, they devise a plan to bust out of prison and hopefully expose the group of corrupt politicians, judges, lawyers, etc. who put them there in the first place.

Story of attractive cop Laurencia Bembenek, who, in 1982, was sentenced to prison for killing her husband's ex-wife in Milwaukee, WI.

The greatest story ever told and a fast-giant unite to deliver the tie-in of tie-ins. While supplies last.

A runaway teenage girl and a drifter rob a bank, hit the road to elude the Texas Rangers and find love on the run.

When an attorney discovers her client committed murder to close a deal she flees to Las Vegas pursued to two relentless hitmen.

Kim Tyler grew up loving her next-door neighbor, Evan Slauson. Now she's all set to have the wedding of her dreams to stable Jeffrey in her parents' backyard, but her ex-husband, and first love—whose parents still live next door—keeps popping up causing her to seriously question her big plans.

Three children visit their friend Bethie's clubhouse where they are encouraged to be as silly as possible as long as they learn and do well in school. Everything is silly at Bethie's clubhouse, the door tells knock-knock jokes, the books jockey to be read first, and the TV reminds Bethie when her favorite show "Ivana the Iguanna's Beauty Tips" is on. Add to that an assortment of silly visitors like Kitty Kat Man, Captain Schnorer the Worldwide Explorer and various talking animals who all break into wonderful musical numbers while educating the kids.

Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.