Mondo Yamagishi

Suzuki Koichi, a 30-something hikikomori shut-in, allows his mother to dotingly tend to his needs. When she discovers that Koichi has killed himself, the shock is so great she loses consciousness and her memory of that day.

The stageplay adaptation of the popular manga by Gege Akutami, Jujutsu Kaisen.

Musical Touken Ranbu Shizukanaru Yowa no Nezame

Shigure makes a living as a transporter with his young buddy, Haruki. One day, Haruki disappears with the counterfeit bills they bring. Shigure makes every effort to find them, trying to assume ignorance of his BOSS. As all his efforts are getting in vain, he gets a call. It is from Haruki and he says “these bills are genuine.”

A mysterious city woman named Kiyomi is cared for by an old village woman. The male villagers are intrigued by Kiyomi, especially Masaru, a young man who the surrogate grandson to the old woman, eats dinner with her every night. Despite constant questioning, Kiyomi refuses to talk about her past. The enigma of her presence only bewitches the men further. Shinji, a writer, gives her the only copy of his book. Tatsuya, a farmer, offers her his ripest tomatoes. Kiyomi acts timid, but she secretly likes the attention. But when the old woman collapses, there is no one to protect the frail city woman. Later, a sinister man from the city arrives looking for Kiyomi. A disturbing truth will be revealed about her while a strange and outrageous battle of love will ensue.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR