Flora Gasser

This movie is a story about a forest tribe with one dominant male, one old male and the rest are all females. The rules of the tribe are the dominant male can only mate with the other females once his wife has given him an heir, which causes friction with the other females as they need to repopulate their tribe with offsprings. A male nature photographer from the city happens to find his way to the tribe. He is virile and could be the answer to the tribe's problem, but as with lion prides, the alpha male of the group won't accept him so willingly, especially if the intruder's eyes are set on his own wife.

When a civil war in the Philippines breaks out, a gay man born into a military family is forced to enlist in place of his ailing father.

An ice cream vendor was bullied and thrown on a river.He swore to become a brave soldier. A spoiled brat snaps his adopted uncle and forced him to undergo military training. A barangay tanod is an action freak.He mauled even the well wishers for his birthday. A NEET accidentally burned a whole building while he was in an internet cafe.He was offered to be a soldier by his roommate. A mama's boy joins the military to strengthen his manhood and erase his mama's boy image.

Domeng and Mokong, two unemployed men, take up jobs as nannies for 7 children.

Filipino director Adolfo Alix Jr. returns to the Festival with this timely story of a couple caught up in Rodrigo Duterte’s violent war on drugs when their son goes missing.

Two young boys discovered an ancient book in a dilapidated mansion. Unaware, they have unleashed the cursed warrior character in the book upon reading. The bloodthirsty demon went on a killing spree in the darkness of night. Discovering that the murders were done by the halimaw in the book, Kokoy, the protagonist, must act fast to put an end to the unwanted trespasser and protect his home and family. Subsequent to this is a variant story of an ancient jar which dated to a period when the dead were buried in jars. This particular jar was cursed as, a lady believed to be, a witch was killed and buried in it. The witch pledged vengeance in her awakening, thereby freeing her spirit gradually from the jar as it traps anyone who unluckily chances upon the jar.

“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.

He was already different even before he was born. His eccentric mother took fancy on horses during her conception, and this led to his being born with animal appeal. As he grew up, he became the object of people's curiosity. But the moment he became a full grown man, his strange physical endowment turned him into an object of desire. Girls and even gays fell under his incredibly wild sex appeal, and he got himself the reputation of being a ladies' man. Until he met the woman who would change his life forever.