Claudia Hübschmann

Lili's summer holidays take an unexpected turn when her mother pressures her to ask Dorsday, a family friend, for money to keep her father out of prison. That night she loses not only her dignity but every certainty she once had.

KAFKA'S THE BURROW tells the story of a man's "metamorphosis" (as Kafka would put it) in a rapidly changing and increasingly isolated world. A man, who has seemingly achieved everything, ensconces himself in his burrow, a fortress-like apartment complex. But no matter how hard he tries to keep the outside world at a distance, he gets more and more entangled in his own web of fear and paranoia: those outside know he is there, they want him, they want his wealth, and they are inevitably going to get him ...

On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?

Berlin sometime in the near future: Due to the demographic change, more and more old people are walking confused through the city. In order to avoid accidents and to protect the elderly, there are special task forces that pick up the pensioners and bring them back to the homes. The entrepreneur Sebastian von Werding recognized the potential of customers and developed a new business model.

It could be as simple as this: He is Death and a young woman is on his list. With polite words, he tries to convey the ominous message gently to Jela Becker. But the vivacious young lady never dreamed of surrendering to death without protest. how could she She's only 31! Her husband and nine-year-old daughter Lucy need her. Death hesitates for just a moment - enough time for Jela to flee...

Alexander is 30 years old and has never been in love - or has never been in love. He then sees in Paula, a theater actress, the possibility of sharing a future with someone.

Franziska had to release her newborn son for adoption on pressure from her parents as she was a teenager. Now 25 years later she has a successful career as a businesswoman. When her friends Bogdan and Mimi adopt a Ukrainian child, she remembers her own child. As the relationship with her partner Robert breaks up, she decides to search for him. She finally finds Oliver, her son in Munich. He grew up in various homes and foster care. He is a drug addict and now has a child himself with his girlfriend Sandy. She persuades him to withdraw and supports him.