Kim Jin-kyu

A piano composer's family moves into a new house; when his pregnant wife collapses from working to support the family, he hires a housemaid to help with housework.

A romantic Han Dynasty adventure epic of a dying Emperor, an Evil Queen, a beautiful Princess, a dastardly royal nephew, and a masked hero, with plots and counterplots galore, complete with cliffhangers and last-second rescues.

Two brothers—Cheol-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.

Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.

Captain Kim is grievously wounded in the first days of the war. When the northern troops continue their advance, his wife and small daughters flee south to Taegu, dragging him along in a two-wheel handcart. His wife struggles to keep herself and their surviving daughter alive. Working as a market trader, she meets a kind young man -- who happens to be tall, dark and handsome.

An elite group of soldiers serving during the Korean War is sent deep into enemy territory to destroy the fortress at area 598, knowing all too well that most or all of these brave men will be lost.

Out of fourteen ministers taken away by the communist troop, only two come back alive. The mystery behind their survival is at the issue here. Told through one of the survivor's testimony, depicts images of men troubled between the war and the religion. Although laden with anti-Communist notions from the 60's military regime.

Simon, a painter, regains the use of his hands thanks to therapy administered by Ren. Later, when Simon is kidnapped by communists and forced to paint a portrait of Stalin, Ren again helps him by assisting in his escape. Simon's wife, however, is less than pleased at their growing friendship and becomes determined to keep them apart.