Sergio Giral

Directing

Sergio Giral

Born January 3, 1937 (age 89)

Sergio Giral (born 2 January 1937) is a Cuban-American film writer and director. He was raised in New York City, as an aspiring young painter in the days of the Beatnik generation. In 1962, Oscar-winning cinematographer Nestor Almendros invited Giral to work together at the ICAIC (The Cuban Film Institute). It was there, after a series of shorts and documentaries, that Giral filmed a trilogy (The…

Known For

Plácido: The Blood of a PoetPlácido: The Blood of a Poet · 1986
Plácido: The Blood of a Poet
★ 9.51986
MovieDramaHistory
Gabriel de la Concepcion Valdes (Plácido) is accused of leading a conspiracy against the Spanish colonial government. Preoccupied by the development of Afro-Hispanic artist and craftsmen of the mid 19th century, Plácido was executed after living a short and controversial life.
MalualaMaluala · 1979
Maluala
★ 6.41979
Movie
In 19th century Cuba, runaway African slaves known as 'Cimarrons' hiding in settlements in the eastern mountains. But discord among the Cimarrons is sown by a limited offer of freedom from the Spanish. Maluala is part of a trilogy of films about Cuba's slave uprisings made by Sergio Giral, the best known Afro-Cuban director.
María AntoniaMaría Antonia · 1990
María Antonia
★ 8.81990
MovieDrama
The plot is situated in Cuba during the early '50s, before the cuban revolution. A prostitute gets in love with a boxer to whom she devotes her life. As the boxer progresses in his career, he gets money and women. The prostitute tries everything to keep him meanwhile her tortured soul sinks deeper and deeper.
Techo de VidrioTecho de Vidrio · 1981
Techo de Vidrio
★ 9.01981
MovieDrama
The Other FranciscoThe Other Francisco · 1977
The Other Francisco
★ 6.61977
MovieDramaHistory
Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.

Filmography

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