Werner Godemann

Scenes from an East German marriage. A young couple, Sonya and Jens, are very much in love; they get married and have a child. When Sonya wants to go back to work after her maternity leave, they clash for the first time; Jens insists that she remain a full-time wife and mother. Until Death Do Us Part turns an actual police report into a gripping drama, as the director explores the depths of his characters' emotions, driving the conflict to a catastrophic climax.

Seven-year-old Kati is glad that despite her spastic disability she is allowed to attend a normal school. Her parents made that possible. In her first year there, she is supposed to prove that she can get along at the school and she does her utmost to keep up with her classmates. Her disability, however, is greeted with constant mockery and disrespect. Even her teachers have a hard time treating her equally. When Kati fails math, she has to attend a special school. Katie is devastated but her friends help her to cope with the new situation.

It is shortly after the fall of the Wall and Kadir is released from an East Berlin psychiatric clinic. Resolved to begin life over again in Germany, he soon has to accept that there is no longer a place for him.

A flamboyant comedy about love, work and money—revealing that the "planned" economy produced some unconventional entrepreneurial methods.

The 18-year-old construction worker Schultzendorf, known as Schulle, sets off for Berlin from his home town of Ankershagen. He is taken with the Marzahn construction site. He dreams of making archaeological finds there. He searches every excavator load for treasures, which not only earns him ridicule, but also the anger of his colleagues because he delays the work. They try to change his mind and get him a wife. This fails, but Schulle finds one himself - the slightly older Helga, who needs his help to get away from her divorced husband. Once she has succeeded in doing so, she breaks away from Schulle, whose youthful impetuosity unsettles her.

A story spanning three generations, from 1871 to 1945. When Gustav Wengler, a farmer’s son, returns from the Franco-German war in 1871, he goes to work for a precision mechanics and optical company, where he soon becomes a master craftsman. Wengler loyally promises the owner on his deathbed that his sons and grandsons will also stand by the company.

1942. The members of the Voß family, mother, two daughters, a daughter-in-law, and a son-in-law, are living in a house at the river. A fellow soldier of son Paul, who fights at the eastern front, delivers his greetings and an embroidered Russian blouse for Emmi, Paul′s wife. Daughter Agnes, whose husband is also fighting in the war, receives a fur vest from the junior partner who is stalking her. Obviously, the vest is also loot from the eastern front. When the family receives news that Emmi′s husband has been killed in action, the war finally enters the house at the river. Emmi commits suicide while Agnes′s husband returns as a cripple from the war front. At home, he has to learn what a price his wife had to pay for the "Russian fur".

October 1918: Karl Liebknecht is released from prison and Berlin workers celebrate his release. Although WWI is almost over, the German Kaiserreich in vain sends its last reserves to the slaughter. The working class is in a rebellious mood; the uprising of Kiel’s sailors against war and militarism sets off a call for revolution led by Liebknecht. On November 9, Liebknecht declares the Free Socialist Republic of Germany. But pro-Kaiser military and right wing Social Democrats oppose him.

In a king's kingdom there is a forest so dangerous that every man who goes into it is never heard from again. Iron Hans, who is responsible for the deaths, is found at the bottom of a lake and locked up in the king's palace

Fifteen-year-old Heinz Stielke is a Hitler Youth fanatic who is devastated to learn a hidden truth about his respected father who was a German officer in WWII: He was Jewish. Pushed out of his community after the discovery, young Heinz falls into a tailspin of alienation and anger. He is subsequently thrust into a series of social collisions across the war-torn German fatherland.

This elaborate two-part television film features a section from the life of communist worker leader Ernst Thälmann. It begins with the bloody riots on May 1, 1929 in Berlin, in which police officers shot at demonstrating workers, and ends with February 7, 1933, when Thälmann appeared as a speaker at the illegal meeting of the Central Committee of the Communist Party of Germany in goat neck. This period was marked by the struggle of the Communists against the ever stronger National Socialists and the rise of Adolf Hitler.

This biographical film is set in 1937, with Fallada suffering the effects of living under a microscope. The film details his decline, as he is intermittently imprisoned and threatened in order to motivate him to write for the Fatherland. Even the attention of his kind, patient wife and loving children begin to feel oppressive to him. This is one of the few films to take a serious, in-depth look at the tribulations of a creative artist pulled in all different directions by the real world.

One day, the happily married Karl Lehmann is asked by his single colleague, Mrs. Schmidt, for an unusual service: She wants a child. Lehmann is willing to help. His wife Inge and Mrs. Schmidt have a child at the same time, and since the women like each other, they make an agreement. They share Karl Lehmann. One week Inge gets him, one week Mrs. Schmidt - always alternating. It could be nice if it weren't for the prudish, shocked or even envious people around them. However, some see it in a positive light. A Mr. Schmidt is interested in Inge's week off and a colleague Lehmann is interested in Mrs. Schmidt's week off. And it's not long before Mr. Karl Lehmann is booted out and seeks refuge with a waitress.

Stasi agent Alexander Berg has to uncover a plot of sabotage.

Ten days in the life of socialist politician Clara Zetkin. In August 1932, she is summoned from Archangelskoje near Moskow to open the new legislative session because at seventy-five, she is the oldest representative in the German Reichstag. Although she is ill and almost blind, she see this as her chance to make her voice heard amid the growing Nazi influence in Germany.

Berlin in the 60s. The construction of the Berlin Wall not only divides the city, but also separates the Rechlin family. While mother Ingelore lives with husband Hannes and the youngest son in the eastern part of the city, the young, married daughter Beate lives in West Berlin. Even when she gives birth to the first grandson, the newly baked grandma Ingelore cannot visit her. Travel permits are only issued one year later. But the formerly so tight family bond is burdened by the long separation. Son Bernd also avoids the rest of the family, as his new girlfriend has just been released from prison because of attempted "republic escape". And so Mother Ingelore almost has to watch her family shatter.

A commercial artist with a lisp chooses silence, unexpectedly propelling his career. His perceived innovation leads to rapid advancement in an ad agency. Mueller-Stahl shines in this biting critique of East German workplace culture.

Old Otto Gratzick is a porter at DEFA and a great admirer of Asta Nielsen. When the famous actor Hermann Gschwindner dies shortly before the end of his film, the director is looking for a double for the final scenes and discovers Otto in the movie theater, who has just been moved by Asta again. Otto takes on the task. He also places a marriage advertisement looking for a woman who resembles Asta. The first date with Astrid, who does indeed look like Asta, is a flop. Otto falls asleep. He tries again with her - as Hermann Gschwindner - and is successful. He is recognized in a hotel bar and asked to perform a song. Everyone, including Astrid, is entranced. After a few complications, his real identity is revealed - Astrid had also done a lot of work to look like Asta.

Every year in the spring the pupils of the 8th grade in the GDR receive the 'Jugendweihe' and are admitted to the circle of adults. This year, Tim is ready. For him and his classmates, the day begins with a ceremony in the culture house, then he goes with the whole family in a hotel restaurant, to celebrate the event properly.

When Angelika moves to Leipzig, she is forced to rent a room at Mrs. Häublein’s for a start, since her parents will not follow until a few months later. Fellow tenant Thomas, a philosophy student, is not at all enthused about his new, pretty housemate. Because of Angelika he has to move into a smaller room. Furthermore, he is annoyed at her many male acquaintances, without sensing that his aggression might be prompted by jealousy. When Angelika’s father comes for a visit, he asks Thomas to keep an eye on his daughter. Thomas takes this assignment very seriously and finally realizes that he has fallen in love with Angelika.

Johann Paul Schroth is a 20-year-old barber's apprentice who breaks out of the barber-surgeon's trade. Schroth wants to realize his dream, which is to put aside the beard knife and use the scalpel in such a way that people are healed and not tortured...

When he reaches age 18, Peter is released from the children's home where he grew up, but this does not mean he is truly ready for adult life.

Mechanic Hannes Blaschke and his wife Maxi, who works as a bus driver, have just become happy parents of twins. Now they have a serious transportation problem: Their Trabant is far too small for the grown family that furthermore includes two sons and a dog. Thanks to the support of a state secretary and of his brigade, Hannes acquires a Tschaika – a limousine that is normally restricted to representational purposes – for a small price. Whereas Maxi views the state carriage only as a useful means of transportation, Hannes enjoys the unusual pre-emption he is receiving for the spectacular car. Hannes, who normally is just a humble guy, starts to grate his colleagues with his new affectations. Thus, they teach him an effective lesson: They decorate the state carriage with flowers and thus bring Hannes back down to earth in a humorous way.

A teenager is found murdered, and the examining doctor recognizes her son's knife. The film works its way back to reveal how this situation came about; a rare treatment of the taboo subject of youth criminality in Socialist society.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

Berlin in the 60s. The construction of the Berlin Wall not only divides the city, but also separates the Rechlin family. While mother Ingelore lives with husband Hannes and the youngest son in the eastern part of the city, the young, married daughter Beate lives in West Berlin. Even when she gives birth to the first grandson, the newly baked grandma Ingelore cannot visit her. Travel permits are only issued one year later. But the formerly so tight family bond is burdened by the long separation. Son Bernd also avoids the rest of the family, as his new girlfriend has just been released from prison because of attempted "republic escape". And so Mother Ingelore almost has to watch her family shatter.