Vladimír Majer

Good-natured and garrulous, Schweik becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.

Jánošík has been topic of many Slovak and Polish legends, books and films. According to the legend, he robbed nobles and gave the loot to the poor. The legend were also known in neighboring Silesia, the Margraviate of Moravia and later spread to the Kingdom of Bohemia. The actual robber had little to do with the modern legend, whose content partly reflects the ubiquitous folk myths of a hero taking from the rich and giving to the poor. However, the legend was also shaped in important ways by the activists and writers in the 19th century when Jánošík became the key highwayman character in stories that spread in the north counties of the Kingdom of Hungary (present Slovakia) and among the local Gorals and Polish tourists in the Podhale region north of the Tatras.

A lost lady's glove that connects several human destinies. The focus here is not on the lost part of the wardrobe, but on piano virtuoso Arne Brant, a man armed with a charming smile and surrounded by women, two of whom have particularly influenced his life. The first is the daughter of a famous can-can star, dancer Pavlína Doré-Zejdová, the second is Mařenka Berková, the main character of the film and a kind of Kristián in skirts. An orderly and well-bred daughter from an honorable family who lives her second life as a lady of high society. The lost glove complicates the situation for all of them considerably, but in the end she finds her rightful place, just like the heroes of the film...

A painting of a girl from another time comes to life for it's buyer in this costume comedy.

One of the first Czechoslovak films to be shown abroad--a fantasy horror, filmed on the fully furnished premises of the Berlin film studio Am Zoo. The central role is portrayed by the “arrivee from darkness”, Ješek, who is awakened from a deathly sleep. The film represents unusual sparks of creative efforts and the ambitions of creative community around the director Jan S. Kolár, who was inspired by international trends and techniques.

The illegitimate child, Marie Růžová, grows up in the family of the Bořický miller. Childhood and youth spend with the son of Bořice, Klement. Klement asserts the rights, becomes a lawyer, and marries Jirina. In order not to cause further contradictions, Mary will go to Prague secretly at night. There he is living heavily as a waitress. He resists the insults of architect Jansky until he ultimately decides to commit suicide in despair.

After a young man is arrested for a crime he didn't commit, the daughter of the local tavern owners must spring to the rescue.