Mohammad Shaker Khodeir

After a terrorist church bombing in Tanta, the body of an employee at Al Pasha Women's Beauty Centre, Nadia, is discovered. The center owner, Nour Al Pasha, and female workers are in trouble about the need to cover up the incident, which is mostly a suicide, in order to preserve the center's reputation amidst intense competition. While Al Pasha tries to obtain a burial permit unofficially and illegally, the workers get involved in trying to find a way to wash Nadia for burial secretly. Nevertheless, they face multiple successive difficulties. Hence, each one of them recalls her relationship with Nadia. They confront their realities and actions, as well as what Al Pasha represents in their extremely harsh and unpredictable lives.

Based on a What if? dialectic, women are taking the role and position of men in the society. We see the stories of some couples with the woman being patriarchal and in control. Under the new fictional situation, a lot is revealed about relationships.

A social worker in the Prison Service writes reports on the prisoners' psychological condition. In prison, an old classmate of his, who has become a successful businessman, invites him to a party, where he meets his old pals, realizes he's a failure, and rethinks his life again.

Naeel is on the edge to lose his job, as a creative director he must come up with a campaign on drugs. He will do whatever it takes to execute the drugs campaign.

In the 1950s, Ali, a young man, arrives at the Grand Hotel in the beautiful city of Aswan to investigate the disappearance of his younger sister. He gets a job as a waiter and falls in love with the daughter of the owner "Nazly". Nazly starts to help him to discover the truth about his sister's disappearance. Then the story takes a different twist to discover all the secrets and mysteries hidden in the wonderful Grand Hotel.

A family consisting of a mother, two sons and three daughters move to a new home just a year after the father's death. The series shows the relationships between them and outside their surroundings, the stories and the situations they face.

In the face of a patriarchal society, Hanan, a recently widowed mother of two, will do anything to keep custody of her children—even if it means becoming a fisherwoman.

As Maher is forced to leave his home with his wife Ward and his son Rahim to escape from the businessman and antiquities dealer Wajeeh, he settles with his aunt in Alexandria in an attempt to hide his big secret from the public eye.