María Rosa Fugazot

A story of authoritarianism, fears, frustrations and love, which revolves around a simple can of paint that unleashes many conflicts, plunging members of a family from a humble neighborhood of Buenos Aires into permanent disagreements.

Six sex workers face different realities: Rubí, pregnant in a luxurious apartment, debates her future; Alma deals with an obsessive client in a brothel; Gigi wanders the streets, trapped in her addictions; Amor works as an escort for people with disabilities; Carla lives in a manipulative relationship; and Estrella dances in a nightclub while arguing with her ex-partner.

Carmen fails to adapt to the world and society in which she lives. She worries about not having a partner. In a raffle he wins as a prize a week with all payment for two in Mar del Plata. She is willing not to go alone.

A widowed lawyer meets a beautiful woman who is going through her divorce and helps her get custody of her children.

Mental illness and the power of friendship. Mara and Joaquín were childhood friends, next-door neighbors. They are now in their early 30s. She's returned to Acassuno after eight years abroad, ostensibly to audition for a part in a musical. Joaquín has been a recluse in his parents' house, perhaps because Mara left without a word years before. Mara seeks to renew the friendship, which may be good f

Laucha, a normal middle-aged guy who lives with his elderly mother and works in a factory, attends a show by the transvestite artist Dominique, for whom he develops an unexpected fixation.

The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.

Alberto, Jorge, Ricardo and Tristan are employees of a shoe store, all are married and share the friendship also between their wives. The 4 friends, faithful to the rogue style of Buenos Aires, go out of their way to have love affairs with the beautiful customers of the shoe store, and for that purpose one day they decide to rent, secretly, an apartment to use as a "bulín". The problems begin from then on, as everyone wants to be the first to release it and then, successively, take turns for their adventures. As is to be expected, it does not take long for the first entanglements to appear, while their wives seem to begin to suspect the adventures of these four typical Buenos Aires chantas.

Andrea finds out that an embarrassing video of her has gone viral. While she contemplates the idea of suicide, a hacker hired by her ex-boyfriend watches her anxiously through hidden cameras installed all over Andrea's apartment.

Behind a castle supposedly inhabited by ghosts hides a secret laboratory.

the story follows Ringo, a former boxer going through economic problems while trying to gain custody of his son working as a firefighter, and Camila, a young doctor who works as a resident in public hospitals and helps a community dinning room.

An iconic bon vivant, who barely has enough resources to maintain his affluent lifestyle, hires a young woman from Paraguay to replace the recently deceased maid who took care of him for more than 40 years.

El Puntero was a 2011 Argentine miniseries, produced by Pol-Ka and starred by Julio Chávez and Gabriela Toscano. "Puntero" is a word from Argentine slang for a man who works as an intermediate between poor people and political parties, in a clientelist relation. The miniseries received the Golden Martín Fierro Award.