Master Vithal

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

To capture the fort of Javal, Shivaji assigns the job to Bahiriji Naik. Manjula Mohite, a fearless girl who is desired by Kedarji of Javal, works along with Bahiriji to capture the fort.

A lighting fast horse, a pair of magic sandals, and a mystical stick aid an adventurous young lady (Zebunissa).

The story addresses the conflict between reformist enlightenment and obsolete, inhuman ritual, questioning the contemporary validity of traditional rituals. The dramatic pivot is the conflict between the king who banned animal sacrifice, and the priest who calls for the king's own blood. Emotionally, the film revolves around the childless queen and a beggar girl whose pet goat has been taken for the sacrifice and who loves a servant in the temple.

Set four hundred years ago, Pannadai is an epic tale from Rajasthan centered on the loyal nurse Pannadai. After Rana Sang of Chittorgarh dies, his Queen Karunavati is besieged by Bahadursingh. Pannadai cleverly secures help from Emperor Humayun, but after the Queen's death, she is entrusted with safeguarding the child-king Udai Singh. Pannadai then faces the treacherous schemes of Banbir, Rana Sang's illegitimate son, who seeks to usurp the throne, leading to the ultimate sacrifice of her own son to protect the rightful heir.