Hameed Sheikh

The film is about the difficult situation in which the Pakistanis in particular and the Muslims in general are caught up since 9/11. There is a war going on between the Fundamentalists and the Liberal Muslims. This situation is creating a drift not only between the Western world and the Muslims, but also within the Muslims. The educated and modern Muslims are in a difficult situation because of their approach towards life and their western attire. They are criticized and harassed by the fundamentalists and on the other hand the Western world sees them as potential suspects of terrorism just because of their Muslim names.

In 1999, a British mine clearance engineer working for the Taliban government in Afghanistan must flee the country when he becomes embroiled in a deadly game of intrigue and betrayal.

In a small village in Pakistan, village elders demand that 15-year-old Mina must be handed over as payment for the crime her brother committed. The ruthless man she's forced to marry keeps her locked inside a small room, her only escape being her imagination and staring out a small window. Meanwhile, the two families cross paths in a series of twists that leaves a trail of pain, heartbreak, and blood.

A disaffected American-Nepali half Hindu-Muslim boy detours to Kathmandu on his way to join the on going war in Syria, but his battle against a local don who kills his grandfather teaches him to follow a far more greater purpose in life, and in the process he reconnects with his roots, culture and traditions of the Himalayan nation, which he had forgotten.

After the death of the family's matriarch, her husband and son must confront not only the corruption in society around them but the corruption within themselves.

Two men only have 21 hours to stop a war between Afghanistan and Pakistan. An Afghan militant steals a microchip containing the names of people who want to exploit Afghanistan's mineral reserves.

Five Russian citizens are mistaken for suicide bombers at a Kharotabad check post in Quetta.

Beautifully shot against visceral landscapes of New Mexico, Ayah is a 10-year-old refugee on her first camping trip who ends up finding connection to ancestral memory even in the most unfamiliar of places.