Monette Dinay

A young aristocrat whose ruined father decided to marry her spends one last night as a bachelor at the boarding school ball. But there, cheerful students strip her of her clothes and she finds refuge precisely with her future husband whom she did not know. Of course, the marriage that was so repugnant to them fills them with joy.

In a small French village, everything would be quiet if the local wildlife cop was not being ridiculed by a smart poacher.

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A colonel decided to be represented at the regiment festival of a tragedy in verse by the poem written by his sister.

Jacques is a jolly bachelor who lives a wild life with his a mistress Wanda and all he wishes is to go on living the way he does. But Father won't allow. He demands that Jacques get married. More or less reluctantly, Jacques decides to comply but on the way to his father's home - where he is to meet the bride Dad has chosen for him - the young man comes across the charming Simone and falls in love with her at first sight. He elopes her, determined to ignore his progenitor's orders. Little does he know that Simone, the girl of his heart, is none other than the one he was supposed to marry...