Acting

Ilija Bašić

No biography available.

Known For

The Man in a Silver JacketThe Man in a Silver Jacket · 1987
The Man in a Silver Jacket
★ 9.01987
MovieDramaThriller
A tale of depressed Novi Sad cab driver and his continuous obsession with the long lost love, the stewardess who left for America and his passion for the American pop-culture. As his depression reaches the peak a serial killer with a sexual deviation starts killing Novi Sad cab drivers.
My Part-Time DadMy Part-Time Dad · 1982
My Part-Time Dad
★ 6.81982
MovieDramaComedy
The new misadventures of single mother Svetlana, her 12 year old son and (still) part-time worker Siniša. Siniša's plans to marry Svetlana are ruined when her ex-husband comes back from Germany, persuading her to start their new life together.
Life of a Shock Force WorkerLife of a Shock Force Worker · 2023
Life of a Shock Force Worker
★ 7.02023
MovieComedy
Adem, a Bosnian coal miner who spends his days digging in the dark depths, and in very harsh conditions, is praised for his work and achievements and known as an exemplary socialist worker.
The TrophyThe Trophy · 1979
The Trophy
★ 7.01979
MovieDrama
A committee made up to investigate illegal masonry in Yugoslavia causes more problems both for the builders and government, and in fact no one have any use of it. The pressure from all sides makes committee work less diligently.
KristinaKristina · 2022
Kristina
★ 5.22022
MovieDrama
Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.
Breakfast with the DevilBreakfast with the Devil · 1971
Breakfast with the Devil
★ 6.81971
MovieDrama
In 1947, among the ruins of war and in anticipation of a catastrophic flood, the locals of a Vojvodina village find themselves caught between the devastation of their livelihoods and the demands of the new Communist authorities.
Do Not Mention the Cause of DeathDo Not Mention the Cause of Death · 1968
Do Not Mention the Cause of Death
★ 6.01968
MovieDrama
In an atmosphere of WWII, a village dyer wants to help his folks in their sorrow and distress by supplying them with the black paint, but there is not enough black paint for all of them, because death works faster than the dyer. His wife was raped, but the naive dyer believes in "straight" intentions of his godfather - black marketeer, and he gives away free canvas to the people. But in all their pain, people are unable to distinguish good intentions from the evil ones.
SaltSalt · 1973
Salt
★ 7.11973
MovieWarAction
Due to fighting against the Germans and the Ustashas, the partisans in central Bosnia decide to strike the salt pans, and take the much needed salt for the people and army. After serious attacks and heavy losses, they complete their mission successfully.

Filmography

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KristinaKristina · 2022
Kristina
★ 5.22022
MovieDrama
Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.

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