Ilija Bašić

A committee made up to investigate illegal masonry in Yugoslavia causes more problems both for the builders and government, and in fact no one have any use of it. The pressure from all sides makes committee work less diligently.

A man who used to be a political brigade commissar offended the society. Twenty years after the war, he comes to visit the old monument erected in honor of his dead comrades, unwanted and abandoned. They were roll-calling the dead and alive, but his name was not mentioned. And he stood before his comrades, face to face. He stood, and it looked as if he had never existed.

Life in a small town, sunk in boredom and lack of excitement where dogcatcher is very important person.

Due to fighting against the Germans and the Ustashas, the partisans in central Bosnia decide to strike the salt pans, and take the much needed salt for the people and army. After serious attacks and heavy losses, they complete their mission successfully.

Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.

In 1947, among the ruins of war and in anticipation of a catastrophic flood, the locals of a Vojvodina village find themselves caught between the devastation of their livelihoods and the demands of the new Communist authorities.

In June of 1942 Germans and their collaborators decide to get rid of partisans and their stronghold in the woods of Mount Kozara in Northern Bosnia. They encircle the mountain and begin the mop up operation. Out gunned and outnumbered the partisans must not only take care of themselves but try to protect thousands of refugees too.

In an atmosphere of WWII, a village dyer wants to help his folks in their sorrow and distress by supplying them with the black paint, but there is not enough black paint for all of them, because death works faster than the dyer. His wife was raped, but the naive dyer believes in "straight" intentions of his godfather - black marketeer, and he gives away free canvas to the people. But in all their pain, people are unable to distinguish good intentions from the evil ones.