Vinicio Marchioni

Four tales unfold in the Eternal City: While vacationing in Rome, architect John encounters a young man whose romantic woes remind him of a painful incident from his own youth; retired opera director Jerry discovers a mortician with an amazing voice, and he seizes the opportunity to rejuvenate his own flagging career; a young couple have separate romantic interludes; a spotlight shines on an ordinary man.

An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

The story of a loving couple who struggles to keep its relationship alive against the inescapable passing of time, told in a nonlinear way over the course of ten years in their lives.

In postwar Rome, a working-class woman dreams of a better future for herself and her daughter while facing abuse at the hands of her domineering husband. When a mysterious letter arrives, she discovers the courage to change the circumstances of her life.

When a kidnapping victim turns up alive after fifteen years, a profiler and a private investigator try to piece together the mystery.

Full-throttle melodrama about an ill-starred romance set against the backdrop of the siege of Sarajevo. A mother brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago.

The fates of an apparently random group of strangers who each come into contact with a mysterious figure who they believe possesses the power to grant any wish, in return for which they must carry out a task he assigns them.

The Catholic Church secretly investigates Caravaggio as the Pope weighs whether to grant him clemency for killing a rival.

In 1970s Rome, a filmmaker gathers actresses for a new project, which triggers memories of his past working in a Roman costume shop, run by Alberta and Gabriella, navigating personal and professional challenges while creating costumes for a major film.

A couple receives an indecent proposal from their younger, more daring neighbors.

Love Divine is a choral journey into romantic relationships, exploring the emotional destinies of interconnected lives. With an ironic, light tone tinged with bitterness, it portrays a humanity caught in the chaos of love. Each character is a knot in an intricate weave shaped by the capricious God of Love, while Ovid, the eternal poet, guides us from ancient Rome into the present.

Since he was a child, Orpheus has imagined stories about an abandoned villa across the street from his house. A solitary and visionary pianist, during an evening at the Polypus — the club where he plays — he meets Eura’s gaze. An unconditional love blossoms between them, but she’s concealing a secret. Then she disappears. One evening, Orpheus sees her enter a small door on Via Saterna, in front of the villa. He follows her. Before the threshold, he encounters the Green Man, an enigmatic figure who seems to know the mysteries of that passageway. Once through the door, Orpheus enters a visionary afterlife...

Paola, a modern woman used to the hardships of modern life, takes her chance to make things right for herself.

This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.

Francesco is a psychoanalyst grappling with three hopeless causes: a bookseller in love with a book thief, a lesbian hell-bent on becoming straight after a heartbreak, and an 18-year-old in a relationship with a much older married man. Unfortunately, these patients are also his three beloved daughters!

A sudden tragedy hits a wealthy middle-class family from North-East Italy. Tensions, hidden secrets and small hypocrisies emerge.

At the end of the 19th century, in a small village in the Apennines, in a house lost in the middle of a valley, live Alessandro and Pietro, two very different but very close brothers. The two children, aged eleven and thirteen, carefree and full of energy, live like two wild animals, always getting into trouble and spending their days racing carts, diving into the river, and stealing from the cellar. When their mother dies, their father sells his last possessions to buy his sons two beautiful, untamed foals, Baio and Sauro. As adults, while Alessandro feels a growing desire to cross the mountains and go far away, Pietro wants to become a breeder and live with Veronica, the girl he loves.

When an uncompromising idealist and rich, arrogant heir cross paths, their contrasting beliefs begin to shift when they fall for each other.

A 40-year-old world-famous chef with anger management issues is assigned to run a cooking class at a centre for young people with autism.

An actor past his prime gives drama lessons to prisoners in an attempt to stage "Waiting for Godot."

Irene, nicknamed 'Miele', has devote herself to people looking for help, and tries to alleviate their suffering even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Mirko and Genziano are two 35-year-old brothers who have not seen each other since their mother died in a freak accident in which they were involved—eighteen years ago. Since then, Genziano left to live in the UK and now is a stockbroker; Mirko instead remained in Rome, to stay with their father Marcello, working at the same run-down family shop. When Marcello dies, he leaves a task for the two brothers in his will: he asks them to take, on an old restored roadster, his ashes to the grave of his old mother in a village in Calabria, where the accident happened.

Antonio and Agostino grew up together in a small town in Sicily; they dreamt of living a different life, somewhere else. Now thirty-year-olds, they both live abroad but they lost touch years ago. When Antonio discovers that the house he grew up in, which had been empty for a long time, is about to be sold at auction, he decides to leave and reconnects with his childhood friend. But their lives have changed a lot. Old conflicts and new revelations bring them through Europe on a truck journey.

Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)

Marco Santin and Giorgio Gherarducci - supported in the studio by Mago Forest, a great cast of comedians and many surprise guests - comment with biting irony on the most popular TV programs, the main sporting events and the last web trends.

After the breakdown of the old government, and with it the First Republic, Italy changed for good in 1994. Spinster Leo is all too aware of this. He pushed hard to see Berlusconi get elected Prime Minister. He knows it's not easy to win power, but holding on to it verges on the impossible. By the same token, it seems equally impossible for populist politician Pietro to change. Even now that he has an office at the Prime Minister's premises in Rome, he still can't cast off his old bad habits. Nor can he forget the only woman he has ever loved. A former TV starlet now turned politician and Congresswoman, Veronica has to decide who the man of her life is going to be. She has realized she no longer wants to be just a woman on the arm of powerful men. It is the start of her own push for power.

Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

In the Wild West in the 1860s and 1870s, Sarah and John have founded New Babylon, a city of outcasts of all backgrounds. Haunted by the murder of his family eight years earlier, Django is still looking for his daughter, believing she may have survived the killing. When Django shockingly finds her in Babylon, about to marry John, Sarah - now a grown woman - wants Django to leave fearing he'll put Babylon in jeopardy. But Django, believing the city is in danger, is adamant that he will not lose his daughter twice.

Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.

The largest pinball event in Europe ever takes place. The largest hall that Gladbeck has to offer is used for this. There are approx. 150 devices in it. The documentary accompanies Gladbeck’s Kevin Abramcyk and his friends. For them, the event will make their dream come true. There they run into Ralf Richter - a Ruhrpot icon. It couldn’t get any better for the friends. The world’s best pinball players fight for the title here.

The fiction retraces the Vermicino incident, a famous crime story from 1981 in which a six-year-old boy, Alfredo Rampi, died three days after accidentally falling into an artesian well. The story had a notable impact on the press and on Italian public opinion.