Alejandro Montiel

Seven years after their first infatuated encounter, Abril and Manuel meet again. Despite the fact that they are both married, it is soon apparent that their attraction has only grown.

Years after moving to a remote town, ex-cop Pipa is pulled back into the dark world she thought she'd left behind when a corpse appears on her property.

A policewoman whose childhood friend disappeared in Patagonia years ago starts a new search to find answers, and soon finds her own life in danger.

Police officer Pipa works on her first big case while simultaneously investigating her boss, who is suspected of murder. The prequel to "Perdida".

A disenfranchised 16-year-old girl connects to an older man on the internet and after a brief one-sided affair descends into obsession and anorexia.

The life and death of the tropical singer Gilda.

We all want to have a family. He is the only one willing to kill to get one

When Martín and Sol try to solve the enigma of a missing neighbor, they will discover that nothing is what it seems, that your hearing can trick you just like your imagination and that your heart is a double-edged weapon.

A hot summer in a small town. The lives of many characters intertwine as a Preacher comes to town to give them hope.

Two estranged sisters have to live together after many years of a bar relationship. All their past comes back to haunt them with some funny and strange circumstances.

During 11 days and with a small group of collaborators, Alejandro Montiel registered the holidays of a group of elders at Chapadmalal, a traditional summer resort in Argentina.

This film is a combination of genres (docu-fiction, comedy-musical, mockumentary and drama-ponele) endowed with grace. It is a culebronizado backstage of the rehearsals of the musical Ella, homage to Rafaella Carrá, where Christopher Guest entrenches a group of dancers and choreographers, following them closely in their problems of love and of makeup. It shows situations of contagious pop vitality, and music and dance set the stage for a shocking ending, which kindly suggests rethinking various representation problems: Schipani and Montiel seem to have known in advance that it is dangerous to always tell the truth