James Finlayson

American crime reporter John Jones is reassigned to Europe as a foreign correspondent to cover the imminent war. When he walks into the middle of an assassination and stumbles on a spy ring, he seeks help from a beautiful politician’s daughter and an urbane English journalist to uncover the truth.

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter's evil guardian is determined to have the gold mine for himself and his saloon-singer wife.

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Stan and Ollie work in a horn factory. Ollie starts having violent fits every time he hears a horn. His doctor prescribes a restful sea voyage. Mayhem ensues.

Stan and Ollie stow away to Scotland expecting to inherit the MacLaurel estate. When things don't quite turn out that way, they unwittingly enlist in the Scottish army and are posted to India.

A brother and sister dance act encounter challenges and romance when booked in London during the Royal Wedding.

Film historian Robert Youngson presents a feature-length anthology of rarely seen silent films by comedy legends Stan Laurel and Oliver Hardy. Along with clips from many of the shorts that made the duo stars, it includes clips from a 1918 comedy starring Laurel on his own as well as scenes from three shorts Hardy made in 1917 and '18 with his original comedy partner, Billy West. To put the duo's work in context, the film briefly features other comedians who worked with producer Hal Roach.