Sarah Steinberg Heller

A vampire named Bathor turned an entire village to vampires, stuck around long enough to teach them to survive, and then promised to return in 2000 years after conquering the rest of the continent. The only problem with this plan is that the vampires, although immortal, have only a limited capacity for memory. As time passes, they forget their utopian society and led by the totalitarian zealot Grando, become paranoid, superstitious fundamentalists, splitting their society by race and gender lines, seeking to destroy those who are deemed sinful. Long-forgotten lovers Élisabeth and Fantine find that, with the help of those who were banished in the past, it is their fate to piece together the past and help preserve the little that remains before Bathor’s impending return.

On December 31st, the Earth will be destroyed. Everything you know will become nothing. Maybe it already has.

Determined to create the ultimate pandemic film, Stephen (who apparently has never heard of an exquisite corpse) brings a team of filmmakers together, believing he has created a brand new genre of filmmaking, they recruit 20 of their friends to each shoot a segment of the film. A lot goes wrong! Michael convinces the team he can program an AI better than Amazon. Bob wasn't invited. Kate has regrets.

Ten women spend the night in a supposedly haunted mansion on Spektor Island in December 1972. Crazy superstitions don't stop them from raiding the wine cellar and throwing a party, at least until the first murder.

Good Looking Out - directed by Seth Chatfield