Fabián Casas

Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.

A cowboy arrives in a town in search of his daughter, a native policewoman arrests various offenders in a snowy landscape, while her niece, a basketball coach, reunites with her grandfather for a decisive journey that will shape her future, and a bird flies through time and space and begins to enter the minds and dreams of a native tribe in the Amazon jungle.

A father and daughter journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.