Nina Erak-Svrtan

Pero is about to retire, but that annoys him a bit, because he thinks that he is still agile and eager for excitement that is nowhere near in sight. One evening on their way home, Pero and Eva find a young woman in a broken elevator wearing an expensive fur coat and with several packages.

A pretty factory girl falls for an ex con. He's still in love with his ex wife. Love triangle soon becomes even larger.

Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .

Musicologist and professor Kosor wakes up in a hospital. He has survived a serious car accident. In a bed next to his lies the amiable economist Gajski, whose wife Melita regularly visits him. This unusually beautiful woman is the first person that Kosor sees after he gains consciousness and is completely enchanted by her. Kosor becomes obsessed by Melita’s physical beauty and her trustworthy character and begins a risky game of writing and sending her anonymous love letters…

When he was five years old, Ivan Hum was kidnapped and was forced to spend his formative years in orphanages, prisons and other institutions all around Europe, always desperately searching for a way back to his family. Several decades later, he discovers that his mother's grave is located in a small town in northern Croatia and chooses to visit it. However, upon arrival into town, he's told that the local cemetary had been submerged underwater as a result of a swamp flood, so that, if he still wishes to perform the funerary rites properly, he'll have to wait a few more months until the waters recede and the local authorities do something about the situation. He decides to stay, finds a place to stay in a cheap apartment, gets a job and even strikes up a romance with his landlady. But, pretty soon after things arrival, various mysterious incidents start plagueing the township and Ivan convinces himself that they have something to do with his belated return.

A big family reunion at the weekend cottage around traditional food preparation "kotlovina" (pig on a spit and lots of drinking) with quaintly amusing and earnest situations revealing what is stronger: ties of blood and background or culture and the way of living.

It tells the story of the bourgeois Dvorski family, whose housekeeper arrives to their house and radically changes their way of life.

Divorced father Marko is hardly ever alone: he is surrounded on all sides by family, friends, co-workers and neighborhood fixers. Yet he is driven to the brink by limited contact with the one person he loves more than anyone – his daughter, who lives with her mother. When he starts the legal proceedings to get more time with his child, he enters the Kafkaesque world of a social-services system in meltdown. His fierce, paternal love for his child is both the source of his misery and his greatest joy.