Paulo Benedetti

The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva.

Only a fragment of the film survives. Taking advantage of Carnival season, Álvaro devises a Machiavellian plan to seduce a young woman. When she shows up at his house to deliver a bundle of clothes, he shows her a beautiful gigolo dress and invites her to the town's dances. They would only be for two or three hours. Liz accepts, and together they go out dressed as a gigolo, he as an Apache. Liz has fun with Álvaro, and at one point, they decide to go to the beach. Dizzy from champagne and dancing, she loses consciousness, waking up alone. Desperate, Liz runs to Álvaro's house and discovers that he has left for the north. Disoriented, she wanders the streets until she meets Maneco, an employee of Dr. Elzman. Maneco takes her to the doctor's house, and Liz tells him everything that happened. The doctor, fond of the young woman, decides to protect her.

When Mao’s Cultural Revolution ended, China’s door cracked open, four young, classical musicians seized the opportunity to flee to the West. The Quartet began a lifetime adventure – studying with great masters, attending Juilliard, and performing at major music festivals and the best classical music venues. Now China keeps inviting them back to perform their once forbidden music.

"A very interesting operetta divided into five musical parts, three of which are sung by the cinematographic camera and musical accompaniment."