J
Directing
Julian Henriques
No biography available.
Known For
Babymother · 1998Babymother
★ 4.01998
MovieDramaMusic
A single mother determined to make it as a singer puts together an all-girl reggae group named Neeta, Sweeta, & Nastie with her friends. Living in a housing estate with little support, the odds are obviously against her. Emotionally she struggles too as she learns at her mother's death that her actual mother is the woman she had thought was her older sister. With the help of a female agent, the group starts to get some exposure and rises above their setting.
We the Ragamuffin · 1992We the Ragamuffin
1992
MovieDramaMusic
Julian Henriques' urban musical showcases the style, vernacular and vibrancy of British Caribbean Dancehall culture. Filled with undeniable style, the vibrations of local sound systems and rhythmic Jamaican patois, Julian Henriques' urban odyssey is an energetic declaration of British Caribbean Dancehall culture, shot on location on the North Peckham Estate. The cast of local artists glide between realism and whimsy using improvised dialogue and musical performance, with the titular Ragamuffins using musical innovation to sidestep the negative aspects of urban life.
The Return of the Green Man · 1990The Return of the Green Man
1990
MovieDocumentary
Since ancient times, the Green Man has been one of the most mysterious and menacing of mythical characters. He also has a familiar face as Robin Hood, Jack in the Green and on numerous pub signs. Across the arts from comic strips to classical opera, the Green Man is now making a comeback. Where is he taking us? Writer Sir Kingsley Amis, film director John Boorman, composer Sir Harrison Birtwistle and other leading artists offer their interpretations of the mystery in this Omnibus documentary film from 16th November, 1990.
Sweet Sugar Rage · 1985Sweet Sugar Rage
★ 10.01985
MovieDocumentary
A popular Jamaican women's troupe uses improvisation and theater as consciousness-raising tools for both rural and urban audiences. Their performances speak directly to the daily experiences of women--the least empowered workers, who labor long hours for low wages with no benefits or rights to organize for better conditions. Using role-play and interviews with female cane workers, the collective develops dramatizations which analyze social issues and pinpoint their concerns.
Filmography
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