Gerrit van Dijk

Surrealist animation about two cubes who come alive against a constantly changing background. The cubes go through the process of growing up and getting older. They fall in love, make love, and conceive new cubes. The idyll ends cruelly in an all-destroying war.

The last words of the gangster Dutch Schultz form the starting point for this animated documentary. The FBI noted these words down on Schultz’ deathbed, in the hope he would betray his colleagues. Here, spoken in the english version by Rutger Hauer, they accompany the sober, pencil drawn animation based on traced (film) images from Schultz’ time: the late 1920s, early 1930s.

An associative linking of erotic and pornographically suggestive transformations, whereby the unity is preserved by placing the action in a frame.

Emma Westermann's documentary shows the final six months in the life of Dutch animation grandmaster Gerrit van Dijk. Every night, he makes one drawing for his last animation films. A cinematic testament to one of the most distinguished Dutch film artists of our times.

The clip shows a film fragment in which the French film comedian Fernandel shuffles along the street sadly and apparently aimlessly. Colours are introduced onto the original black-and-white material with felt pens and needles.

Short animation by Gerrit van Dijk

Film material from the forties found in a jumble sale adapted into a contemporary clip. An unknown female singer performs before the camera while (animated) people and animals parade by. The title alludes to the catering on the rainy Sunday afternoon when the film was conceived and made.

Colourful lines and geometric figures move and change to the notes of a disjointed Wilhelmus [Dutch national anthem]. As the film progresses the disjointed music finds its way back to the original and flowing performance of the national anthem. The colours and figures move simultaneously into the shape and the tricolour of the Dutch flag.