Miran Zupanič

Among the many dramatic episodes of the siege of Sarajevo in the years 1992 to 1996, the story of a human safari has remained concealed from the public eye. Few people knew that those fighting the war on the Serbian side were not only the Bosnian Serb Army, volunteers and mercenaries but also a small, clandestine group: wealthy foreigners who paid high fees for the chance to shoot at the residents of the city under siege.

In the absence of his mother, the seven-year-old Maks decides to find company at the basketball court. The lack of warmth and attention forces him to take matters into his own hands.

The documentary film Gora Rocka takes viewers to the heart of one of Slovenia’s most unique festivals - an event that has spent over two decades demonstrating that music can bring people together while simultaneously transforming the community. Through energetic concert highlights and personal stories, the film reveals the behind-the-scenes world of the Gora Rocka festival on the Šentviška Planota plateau in the Tolmin region. It is a charity rock festival co-created annually by over 360 volunteers, with all proceeds dedicated to helping the local community and individuals in need.

An adolescent girl tries to dream about memories of Mother while having to be physically present in the surrounding farm with grandmother.

The film deals with the fate of children who, together with their parents, were imprisoned in the Teharje camp near Celje. In June 1945, they were separated from their parents and taken to the Petricek children's camp, and their parents killed and buried in unknown places without trial. Inside the camp, the guards try to rip out the old children's identity with various overhauling measures and to enforce them a new identity. Children lost their parents and childhood, and got wounded so deeply, they have not healed even until today.

Among more than 50,000 Slovenes who left their homes in Gorizia, Trieste and Istria due to the growing pressure of fascism and the economic crisis, around 60 families moved to Macedonia in 1931, to the village of Bistrenica on the Vardar River, 100km from Skopje.

Worker Maks Bigec decides to take things in his own hands when he hears that his factory will be closed. He takes the factory director as a hostage and demands that the state should reopen the factory.

Kovač and Dara, whose childhoods start badly, meet in an orphanage and get attached to each other. After ten years, when they are in their teens, and both share an immature view of the world, they accidentally meet again. Kovač is a gang leader, Dara lives a lonely life in her own enchanted world. Kovač's gang starts getting involved in more and more serious deals. When the rascals find themselves caught between loyalty to different mob bosses and running from corrupted policeman, their juvenile illusions disappear. The way back is hardly possible. Will the rascals manage to run beyond, will Kovac and Dara be able to save their wasted youths and begin new lives?

An immigrant worker from Bosnia falls in love with the actress Nastassia Kinski. To be able to approach her, he has to become famous himself. That's why he sets off on a journey to fame in a black comedy with a twist in its tale.

"Instead of Whom a Flower Now Blooms", "That Black Guitar", "Dizzy Heights" and other songs by the singer, poet and author Vlado Kreslin have already become folk tunes. Vlado is an eminent performer of popular music with a cult status, which is not a result of self-promotion strategies, but rather a consequence of his exceptional personal charisma and suggestive music expression. The documentary takes a look at the key stages of how Vlado Kreslin developed his authentic artistic expression. At the same time it frames the wider cultural context that Vlado has been creating in for more than forty years. However, this is first and foremost a film about music and music lovers.

A Slovenian story about how the successful transition from socialism, as well has its dark side; many factories were ruined, workers became unemployed, and those employed are very often victims of ruthless exploitation. When I learned about what women have to sacrifice in order to keep their jobs.