Kōgo Noda

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

A young salaryman and his wife struggle within the confines of their passionless relationship while he embarks on an extramarital affair.

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

In 1880s Japan, women's struggle for equality rages on. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government.

Two sisters learn about the existence of their long-lost biological mother, but the younger is unable to accept the fact that she was abandoned as a child.

The arranged marriage between a capricious woman from Tokyo high society and a quiet rustic man is tested by a marital crisis.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

A theater troupe master's visit with his old flame unintentionally sets off a chain of unexpected events with devastating consequences.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.

Two criminal brothers try to go straight but face opposition from one of their criminal cohorts. Considered to be a lost film.

The eldest daughter of a noble family is in love with an aviator while being courted by a fellow aristocrat she thinks is a dullard. Told from the perspective of Ryota. In this second part, we learn that Akemi is pregnant...

Setsuko is in an unhappy marriage to Mimura, an unemployed, alcoholic engineer. She had always been in love with Hiroshi but both failed to propose when Hiroshi left for France a few years ago. But now he's back and Mariko tries to reunite them, although she too is secretly in love with Hiroshi.

A salaryman finds some money in the street and gets a reward for returning it to its rightful owner. However his colleagues immediately start borrowing money and selling him things he doesn't need, much to his wife's annoyance. Considered to be a lost film.

Hiromasa Nomura World War II era film

Sabu Toshinobu is an archaeologist who has taken a liking to Kinuyo Tanaka, the daughter of an archaeologist at an inn in Izu, where he is visiting to conduct an excavation. Sabun gets along well with his childhood friend Michiko Kuwano, but his mother (Fumiko Okamura) is against her, so he gives up easily and ends up being married to Kinuyo Tanaka.

Sabu Toshinobu is an archaeologist who has taken a liking to Kinuyo Tanaka, the daughter of an archaeologist at an inn in Izu, where he is visiting to conduct an excavation. Sabun gets along well with his childhood friend Michiko Kuwano, but his mother (Fumiko Okamura) is against her, so he gives up easily and ends up being married to Kinuyo Tanaka.

In the movies of those times, you can see young boys in the company scene often. Those boys were called kyuji (給仕), which means “waiter” literally. They are doing odd jobs in the company including serving tea, ushering visitors, buying tobacco, etc. Ordering lunch for the individual requests was also an important job. Those boys were hired often as soon as they graduated from elementary school.

Ryoichi and Chikako, brother and sister, live together. Chikako toils during the day and, at night, prostitutes herself to fund his college tuition.

1939 Japanese movie

Commemorating the 120th anniversary of Ozu Yasujiro's birth, six up-and-coming filmmakers remade six of his early silent films as a contemporary mini-series.