Mayara Constantino

A talent scout from São Paulo recruits an art director from Salvador for a job in São Paulo. What starts as a friendship quickly becomes an arrangement for no-strings-attached sex and a battle to avoid getting emotionally involved.

In present-day São Paulo, a trio of young hearts are about to break. Ricardo has both a steady boyfriend and a wandering eye for a new coworker. Isabella is taking a break from both her boyfriend and best friend Ricardo. And hopeless romantic Felipe has suddenly found himself caught between the two of them. These three have big dreams, yearning passion, and opinionated acquaintances, but they’re all unprepared for what’s to come from Cupid’s arrows.

After having broken up with his boyfriend of 8 years and having his heart broken by his rebound guy, Rafael decided to get away and meet three friends in different countries: Julia in England, Fábio in Portugal and Mayara in Argentina. They all hold a special place in his life and will provide comfort.

Julio is a peaceful, uptight dentist who planned his life 80 years in advance. Suddenly dumped by his girlfriend, he also finds out he is the son of a womanizer, a popular singer of the 1970s, and the brother of an intense gay musician, both of whom he never knew—until now.

A young wizard must create new spells in his magic book before the planets align. His uncle and aunt, powerful mages themselves, help him achieve that. Based on the award-winning Brazilian TV series.

Álvares de Azevedo was a 19th century Brazilian romantic writer. He died prematurely (died at the age of 21), but left a significant work for Brazilian literature. Among her, the novel “Noite na Taverna”. The film, loosely inspired by the book, tells a day in the life of its author in parallel with that which is one of its darkest and most complex characters, Johann. Inserted in the same universe (a hypothetical São Paulo of 1850), Álvares lives a normal day of his academic life while Johann is involved in a death duel that triggers in several other consequences such as murder and rape.

Two lonely sad women, an old one and a young poet, meet as neighbours in the last day of the year.

Rosália is a woman from São Paulo who has spent decades of her life working in a factory. One day, she is fired.