Josef Zora

The story of love, between a sturdy village boy and a gentle country girl, filmed with a movingly genuine charm.

The drama from the time of the Nazi occupation begins at the train station, where a transport with German soldiers is passing. The train is stopped due to improvised sabotage by one of the railway workers. Resistance liaison Růžena Kubínová is arrested in a random raid. The cynical councilor Dönnert discovers her false documents and has her brutally interrogated. He suspects that she could contribute to exposing the entire group. He puts a informant, Herta, in her cell.

Two young composers offer their operetta in vain - it is rejected before anyone reads it. By a coincidence, when its text ends up in the wrong briefcase, it ends up with a popular singer who, on the contrary, likes it very much, but has no idea who wrote the play... The search for the authors, personality confusion and budding love become the main plot elements of this pleasantly naive film, where there is constant singing.

A cinematic poem with an impressive soundtrack that complements and completes the cinematic sketches of the folk culture of the Slovak nation previously made by ethno-photographer and director Karel Plicka. With its perfectly constructed dramaturgy, the documentary follows the beauty of the natural cycle of the seasons and shows peasant life in an isolated village in the Carpathian mountains of Slovakia from the end of winter through spring and summer to the traditional harvesting methods of autumn. This creates a tribute to traditional culture and the secular connection between man and nature. The aesthetically extraordinary visual representation of folklore comes to life through the editing technique influenced by the Soviet avant-garde and is complemented by poetic intertitles by the Slovak poet Ján Smrek.

Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, returning to her father's house. One day while bathing in the lake, she meets a young man and they fall in love. The husband has become grief stricken at the loss of his young bride, and fate brings him together with the young lover that has taken Eva from him.

Věra accepts the offer of her friend Kajetán, who arranges a position for her in Dominik's puppet factory. The spirited girl impresses her employer, Antonín Dominik, so much that he falls in love with her. Dominik's mother notices her son's interest in Věra and immediately fires her. Kajetán, who works in the studio of sculptor Výr, who is engaged in the production of mechanical puppets that can be used to advertise goods, asks Věra for help...

Dvořák's well-known composition reappears again and again in the serious moments of the lives of the father and son Hupeks - talented non-professional musicians for whom music gives them the opportunity to rise above difficulties and problems...

A fortune teller predicts that Dr. Přelouč will marry the third poor girl he meets. Míla, the daughter of factory owner Janota, likes the doctor and, with the help of his housekeeper Amálka, sneaks into his home disguised as a poor shoelace saleswoman. She first prepares for her role by exploring the outskirts, where she meets Vendelín Pleticha, who becomes her guide to the local pubs and her teacher of the vernacular. Dr. Přelouč is enthusiastic about the poor, uneducated girl and tries to teach her the basics of social behavior and standard language. All this until he discovers that Míla has deceived him and that Pleticha is not her father, as she had claimed...

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

The owner of a clothing store, Mr. Načeradec, spends most of his free time in a café, where he plays chess with the owner of a rival store, Mr. Dundr, over mineral water. Načeradec's daughter Edith, coincidentally, starts practicing law at the same time as her boyfriend, Dundr's son. Mr. Načeradec often fills in for Mr. Findajs at the card company, who is currently dedicating himself to the wife of another player, Mr. Tachecí, the owner of a detective agency. Načeradec keeps his winnings, Findajs has to pay for the money he loses. One day, Mr. Načeradec is so unlucky in the game that he and Mr. Dundr get into a heated argument that ends up in court. Both men are represented by their children, who are rather amused by the situation.

The young musician and composer Josef lives with Beethoven's music copyist in Grinzing. In the evenings, he plays for dances in the Prater, often his own melodies, although he doesn't make much effort to spread them, as they're almost all waltzes, a dance not well-regarded in high society because they're too sweaty. When one evening a lively princess—fresh from the convent—mingles incognito with the Prater crowd and falls in love with the dashing conductor Josef, an entire cultural system of values ​​begins to crumble.

Sixth-year student Eva Martenová falls in love with the new young professor Jiří Hron. She cannot concentrate in his lessons, even though she is as well prepared as ever for teaching. On a school trip, Professor Bruncvíková tries to win Hron over, but the professor dances with Eva at a party. At school, Eva's thoughts are elsewhere again and she refuses to give Bruncvíková Hron's portrait. She goes to Hron's office crying and he tries to calm her down. His friendly gesture is seen by Professor Bernard, who had previously had reservations about Hron's modern teaching methods. He informs the principal that Hron was holding student Martenová in his arms. When Eva learns that Hron is facing disciplinary proceedings because of her, she attempts suicide. However, her friend Martina's brother, Dr. Pavel Haler, saves her. In the hospital, Eva is visited by a vindicated Hron and confesses his love for her.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

Kind and decent professor Artur Čejka is about to marry his fiancée Helena Frýdlová. On the eve of the wedding, he comes across the unfortunate actress Káťa Holanová on the riverbank, who has been unsuccessfully looking for an engagement for a long time and wants to take her own life out of desperation. Čejka prevents her from committing suicide and helps her. He meets the girl again on the train when he and Helena are going on their honeymoon...

An employee of the funeral home Pleticha calls his superior. He overhears that he is supposed to buy a wedding gift and deliver it to his boss's relatives. He therefore sets off to the given address to organize the funeral. When the mistake is explained, Pleticha, in return for the entertainment, performs dances and songs of various nations for the wedding guests. One of the guests, grandfather Boleslav Hnipírdo, experienced a train collision near Vrňany on his way to Prague. Since he was not injured, he does not even want to ask for compensation. Pleticha takes advantage of this and goes to the railway headquarters with his leg bandaged. He pretends to be Hnipírdo and is questioned in detail about his journey. Thanks to his talkativeness, he reveals, among other things, that he jumped on a moving train, drove illegally, spat on the window and tore off the emergency brake...

Professor Karas is widely known as enthusiastic propagator of the motto "Morality Above All Else". He guides his students as well as his own family to live a morally decent life. One day he has an unexpected visit. It's his illegitimate daughter Vera, who is proof of his thoughtless youth. Mr. Karas know that she can ruin his image, thus he decides to keep her a secret and asks her to leave. Instead of leaving she takes a position of a governess in his own family without letting him know. Mr. Karas realizes that he must reveal the truth sooner or later, but he doesn't have enough courage to do so. As he postpones it, he is more and more scared to come to his own home.

A comedy based on the novel of Jaroslav Hašek's The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek's novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk's Budějovice anabasis. Don't miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý's adaptation is undoubtedly the most famous and memorable at present.

Hospital orderly Rozruch, denied his therapeutic treatment, is mistaken for Dr. Marek at the insurance office and sent to a spa. Councilor Pěna, plotting to wed his mistress after his daughter Heda’s marriage, also arrives. At the spa, impostures collide, identities are exposed, and hidden motives and loyalties come to light.

Eman Vovísek drinks away his unrequited love for Liduška, who married his cousin, the factory owner Danek. Because Eman is aggressive when drunk, he is taken to a mental health facility, where he meets his uncle Hanibal. Hanibal has a breakdown after his wife Matylda broke up with him. Matylda wanted to be free so she could marry her first love, Uncle Jonathan, who is due to arrive from America. Jonathan sends a telegram saying he will stay in Paris. Such a situation does not suit Danek. He assumed that Liduška would be visiting from America and that he himself would go to his mistress in the meantime. He therefore visits Vovísek and persuades him to play the role of Jonathan.

Mr. Ducháček runs the law firm of JUDr. Faukner in a peculiar but completely devoted manner, which manages the financial affairs of the Rispaldic family. The family members treat their lawyer Faukner with condescension, except for their daughter Julia, who secretly loves him. However, no one except Ducháček knows that the squandering family no longer has any money and that JUDr. Faukner is subsidizing it, because he is also secretly in love with Julia.

The gullible buyer Žemla Martin (Francis Smolik) finally opened his dream shop. After a while, you get a lot of friends. Especially the former captain Kyllijána (Vlasta Burian), who come to him to drink brandy debt and sit on a bag of peas, where he talks nonsense. Its debt is starting to grow nicely. Later dupe marry an evil Pavlina Šustrová (Ela Poznerová). It can also bring their calculating mother, widow Catherine Šustrová (Antonie Nedošínská). These two together with a bun Kyllijánem use, but outside him are friendly. Later, when Žemla catches his wife cheating when he has become the father of a foreign child, and when he discovers that the shop is broke and completely vyjedený, poisoning. A best friend Žemlův captain Kylliján happily drunk debt for plum deleted.