Vladimir Egorov

The commander of the cruiser Zarya, nobleman Bersenev, sympathizes with the Bolsheviks, encouraged in part by Artem Godun, chairman of the ship’s committee. His eldest daughter, Tatyana, follows in her father’s footsteps. Her husband, von Staube, is involved in a counter-revolutionary conspiracy.

Russian folk tale about a father whose three sons go out to finds themselves brides. Two of the boys come home with perfectly normal girls, but the youngest brother, Ivanushka, brings home a frog from the marshes. His father finds this most curious, but what he does not know was that the frog was actually a beautiful girl named Vasilisa who was cursed by a magical serpent whom she refused to marry. Now Ivanushka must overcome tremendous obstacles to restore Vasilisa to her true form and free her from the serpent's spell.

The film tells about the life and work of the famous singer of the Kazakh people akyn Dzhambul Dzhabayev.

This SovKino production was a major early experiment in Soviet historical film about the oprichnina period of Muscovite history, combining the costumed drama and Gothic thrills of the genre with historical materialist commentary on the dialectical collision of scientific progress and patriarchal religious tyranny under Tsar Ivan the Terrible. It follows a self-taught inventor from the serf class Nikishka, whose efforts to build a flying machine incite accusations of witchcraft. Nikishka and his beloved Fima are persecuted by the feudal lord Kurlyatev, who took their village in a petty land squabble. They’re rescued when Kurlyatev’s lands are taken by the Tsar in his autocratic campaign against the feudal system. Ivan puts Nikishka to work in his linen mill, where the young serf is coveted by Tsarina Maria Temryukovna, who the Tsar’s been ignoring in favor of his cupbearer Feodor. A series of harrowing intrigues wind a bloody dance through bedchamber, feast hall, cathedral and dungeon.

A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

An early film by Vsevolod Meyerhold.