Juan Carlos Medellin

After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.

José Sánchez has big ambitions, terrible instincts, and a mustache to match. After a string of bad deals, he accidentally bluffs his way into becoming El Serpiente, a political boss feared for all the wrong reasons. Now he must pull off one final deal to stay alive — a deal far beyond anything he can fake.

Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.

Seventeen-year-old Carlos doesn't fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground LGBTQ nightlife scene: punk, sexual liberty and drugs.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

Inés works as a seamstress in a sweatshop where pregnancy tests are periodically administered. When she becomes pregnant, she is sure that her condition will get her fired. She does everything she can to keep it a secret.

They are not wild and crazy anymore, or at least they think so. Now, thanks to an offer nobody can't refuse, they will try to recapture that old rock and roll magic and give themselves a second chance.

Three parallel stories revolving around Mexico City’s Christmas celebrations intertwine in the film’s finale. In the first story, an estranged daughter seeks reconciliation with her family. In the second, two friends put their friendship to the test when they start working as competing Santa Clauses in Alameda Central Park. In the third, a lonely chef that cooks Christmas dinners for other families confronts her feelings for her kitchen assistant.