Yūzō Harumi

A squadron of Japanese Self-Defense Force soldiers find themselves transported through time to their country's warring states era, when rival samurai clans were battling to become the supreme Shogun.

Kitagawa is an engineer charged with construction of a gigantic tunnel through the Japan Alps for the transportation of equipment in the building of the massive Kurobe Dam. The tunnel crosses an earthquake fault and Kitagawa is beleaguered not only by cave-ins and flooding, but by strife between management and the workers's union. Adding to Kitagawa's stress is the knowledge that as his attention is pulled inexorably toward the tunnel construction, his youngest daughter is dying from leukemia.

A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.

Tired of poverty, Keiko leaves home and soon takes a lover, but leads a wanton life without paying heed to his advice. However, the younger sister Yoshiko, is an innocent and kind girl. One day, with the sudden death of their mother in a car accident, Keiko learns that she and Yoshiko are actually stepsisters, and that she is the daughter of a murderer. She now plans extortion from Yoshiko's true father who is the president of a well-known trading company.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.

Set during the declining years of the Tokugawa shogunate, Shadow Hunters details the questionably noble exploits of three ronin who act as "Shadow Hunters". These three ronin are not your normal ornery ruffians who are looking for a drink, a broad and someone to jab a sword into, but are in fact former samurai who, rather than follow their destroyed fiefs and murdered masters into death via seppuku, have dedicated their combined sword prowess to stopping the government from raping its daimyos for valuable resources.

This time around, Sashichi is investigating a case of serial murders believed to be perpetrated by a giant bear.

When his sister commits suicide as a result of his actions, Rokuheita, an enforcer for the Yagyu ninja clan, considers his choices and eventually deserts the organization. Hunted by an army of bizarre shadow warriors, the target turns on his pursuers when he finds something worth fighting for.

Joe, Okita, and Serizawa hear of the armed robbery of a truck carrying one billion eighty million yen's worth of Mint paper. Knowing that the thugs will now need a counterfeiter to make the bogus bills, they each decide to cash in on it by selling them the idea that they need Sakamoto, the best counterfeiter in Japan. A seesaw game unfolds between the three men as each tries to outdo the other two in handing over Sakamoto for one million yen to Hijikata, the big boss, who intends to make counterfeit money with the stolen paper. A little belatedly, they realize it needs their combined forces to outwit Hijikata and they raid his place together. Outnumbered, however, they are thrown into a basement room and the gas is turned on. Certain death stares them in the face, but the three men are not ones to take things lying down....

Goro had grown up in the yakuza world. As an active member of the Mizuhara family crime syndicate, he expressed his loyalty by always putting himself in the forefront of every battle. Violence never bothered him. However, after being sentenced to three years in prison for stabbing a rival gang’s hit man, he becomes disenchanted with the Yakuza life style. Goro is determined to start anew, but karma catches up. His two closest friends are murdered by his ex-boss. He is left with two options: to kill or be killed.

5 criminals organize a jailbreak in search of a cache of stolen diamonds.

Akira, a young, jazz-obsessed drifter, returns to his squat, a ruined church, and finds Gill, a wounded African-American GI, on the run after the death of a white GI. Despite terrible misunderstandings and culture clash, Akira agrees to help Gill escape towards the sea, dodging military police along the way.

A sequel to Detective Bureau 2-3: Go To Hell Bastards!

Akemi is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears, to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi’s gang in revenge, leaving a trail of dead Yakuza girls, their dragon tattoos skinned from their bodies.

1962 Japanese movie

Emerging from a stint in prison, yakuza lieutenant Sumukawa discovers that his gang has disintegrated. An ambitious type, he quickly hooks up with another gang who promise him a prominent position if he helps them deal with a rival family. But bonds are made to be broken, and pledges of loyalty soon give way to competition, betrayal and — naturally — retaliation.

Desiring another officer’s new wife, a military police lieutenant fabricates evidence of treason that consigns the innocent man to torture and a firing squad. The lieutenant rapes the wife, but is haunted by bad dreams which after he is assigned to a battalion with the victim’s brother.

The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

Kuroda is a mob hitman who turns on his employers after being forced to execute his lover. Joining forces with his similarly wronged brothers, hot-headed Eiji and aspiring boxer Saburo, the trio escalate their mob retaliation to all-out turf war where no one will stop until one faction emerges victorious.

Japanese crime film

A film from Nikkatsu's "moodo akushon" (mood/action) subgenre.

A powerful terrorist organization known as the Black Cross Army threatens to destroy the Earth, with only the defense organization EAGLE (EArth Guard LEague) able to oppose them. In retaliation, Black Cross Army destroys multiple EAGLE headquarters across Japan, killing all but five people. Now, these five remaining EAGLE members are called to form a secret, powerful team known as Gorenger, the only force left that has a chance to stop the Black Cross Army and their evil leader, Black Cross Führer.