Orestes Caviglia

The head of a criminal gang has all the power among his men until one decides to testify against him.

In 1840, a caravan of carts headed from Buenos Aires to Córdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.

An Argentine who emigrated to the United States finds himself by chance in Argentina for business. There he hires a woman, Paula, who is from a traditional but poor family, and he finds himself falling in love with her.

A retired army captain runs a farm using military methods.

This is the story of a suburb in Buenos Aires, its neighborhood, and how they live together in poverty, conjoined by the games of the children, and the love and support of the grown ups.

A man returns to the town where he abandoned his wife and daughter for ten years.

The conflict of a woman with her husband when she starts defending her individuality.

The life of Saint Rosa de Lima.

The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.

The passionate love of a married woman and a single man.

The lives, loves and vicissitudes of a group of circus performers in the Argentine Pampas around the turn of the century are played out in this drama with songs.

A woman helps a man escape from the police and ends up falling in love with him.

The relationship of the young night school teacher with her students.

“My life was the same as that of thousands of gringos: I plowed and sowed the land, and went to the bar on Sunday.” Such is the refrain throughout LA PAMPA GRINGA, which endeavors to relate the sense of community built by the European settlers who in 1865 first colonized the town of Esperanza, located in Birri’s native province of Santa Fe. Largely consisting of juxtaposed daguerreotypes from the period and newspaper printings, LA PAMPA GRINGA exhibits Birri’s ability to weave narratives out of historical documentation in deft, admirable form.

In 1812, the Argentine people and the army of the north resist the royalist advances.

Different stories that take place in a women's accommodation.

Juan Pérez is a waiter in a luxurious place where the bachelor party of a man who is going to get married for convenience is done. When a dancer and singer with whom he was entangled, chases him, he uses Perez to get rid of her.

A rural businessman is robbed by a corrupt partner and his cadet son and good student aspires to run the business.

Three young men leave the orphanage where they grew up to make their ways in the adult world.

The romance between an actress and a young man provokes the rejection of the class to which he belongs.

Two middle-aged brothers fall in love with a tango singer they have met in a gambling hall, after she is stranded in their border mining town, causing them to turn against each other.

A man finds out his wife had a lover and abandons her, but first he gains custody of their daughter.

A woman tries to prove his son's innocence, a taxi driver who is accused of murder.

Based on a quechua legend, Malambo tells the story of a woman who lost her husband and son because of the greedy patrón of an hacienda. She swore that she would never remove the cloth over her eyes until her dead were avenged by the deaths of the patrón and his daughter. Nature seems to be on her side, since a drought has afflicted the land. Her other son, Malambo, accepts the duty of revenge. Malambo is no normal human: he is the runa-uturungo, or Hombre Tigre, of Quechua lore, and he cannot be wounded by bullets. He leads the obreros to rise in revolt and defeats the patrón. However, instead of killing the patrón's daughter--the blind Urpila --he falls in love with her, thereby breaking his mother's heart.