Valdis Celmiņš

Thirty-seven-year-old Zane and Kaspars seem to have it all – love, careers, a home, and shared hobbies. Still, for a decade, they have been unable to have a child. After trying fertility clinics, diets, churches, and healers, Kaspars is slowly coming to terms with the idea that life can be fulfilling even without children. Meanwhile, Zane cannot accept the thought of not becoming a mother and is ready to go to any lengths to make it happen.

On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.

The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.

The 20th century dreamt of utopia but instead experienced tragedies. This film looks at San Francisco-based Latvian artist and playwright Raimonds Staprāns’ nearly century-long experience of trying to define life and statehood. It constructs an exact replica of one of his paintings, and asks actors to portray characters from his plays. Keeping in mind the symbolically charged image of the red barn in the painting, it deliberately incites arguments between the actors, the director and the crew about the motivations of the characters as well as alternative actions or decisions that they could have taken but did not.

In the godforsaken land on both sides of the Latvian-Estonian border people are awaiting "the coming of Europe" in candlelight with no electricity. This film paints the difference between urban consciousness and simpler rural values.

As every evening, the Ghost goes to work – to haunt and frighten. Even in his worst nightmares the Ghost hadn’t imagined he’ll meet such a ‘terrifying’ girl who is not afraid of him. But it happened...

In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.

A young woman in Stalin-era Riga joins a basketball team, hoping that she will be allowed to travel abroad and see her brother who's living in exile.