Rima Raminfar

Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she's gone.

A modest family on the outskirts of Tehran faces the imminent destruction of their home as a part of a vast redevelopment project. While Rashid, the father and a prison guard, is being accused of corruption, he discovers that his eldest daughter, Ensi, is secretly planning to leave Iran to become a model. As the bulldozers draw ever closer, the tensions within the household start to rise.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).

The movie Hotel is the story of a boy named Ramin who, according to his ex-wife's plan to get a lot of money, they have to pretend they are still husband and wife, they have to travel to the island of Kish and this is the beginning of a journey full of trouble.

Yahya, a man with a mysterious past, sets off into the desert and wilderness with a car that serves as his home, continuing his life by cutting and selling the hair of impoverished women and girls. Until he meets a clever 15-year-old girl whose stepfather intended to sell her, but she escapes by secretly getting into Yahya's car. This encounter leads Yahya to start a new phase of trying to forget and deny his past, as everything is set to change with the presence of this girl.

Twelve stories, one per month, from April to March. They all take place in the same place—inside vehicles—and during the “magic hour.” The characters also experience similar situations: they are hesitating to make an important decision in their lives, a moment that will mark them forever.

An old woman's death brings her children together so maybe family's wounds will be healed during this unwanted confrontation.